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That's because the classic Iommi amp is the Laney Supergroup, which is effectively a Marshall Super Bass copy (although again with different transformers, and doesn't sound quite the same), and the Super Bass is not far from a high-powered JTM45... so still 5F6-A derived.
If you want a low-power Sabbath sound, get a Laney LA30BL - it nails it dead on.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
From the MusicRadar review https://www.musicradar.com/reviews/marshall-studio-jtm-st20h-20w-head-and-st212-cab-review :
"It can't be understated just how much of an impact Jim Marshall's JTM tube amp had on the emerging world of rock 'n' roll - with the "coffin logo" version from 1964 being seen as the holy grail by many players. Yes, the original may have been inspired by the beloved Fender 5F6-A Bassman, but the JTM was a different breed altogether - thanks in part to the use of British KT66 output and ECC83 preamp valves. This new class of amplifier delivered a tone and power that players of the day had never experienced and well, the rest is history. "
Hmmm. So a (more or less) straight clone of an already-existing amp produced a tone which no-one alive at that time had experienced. Or the newer, more modified version with KT66s did, I guess. Except this low power version is a copy of the original clone with 5881s, not the slightly newer-less-cloney KT66 one.
Who writes this crap? Does no-one check it? Even if you didn't check anything else, reading through that single review/article once would tell you something doesn't add up.
I mean I dare say it sounds great (and darned if I don't want one regardless... well, I'd probably get one of the other Studio ones first if I ever get round to it, but still), but come on.
(Can this new one take KT66s out of interest?)
EDIT: Might be best to ignore this... I had a migraine. That's my story and I'm sticking to it!
The other huge difference is that the Bassman uses four 10" Jensens wired in parallel in a lightweight open-back pine cabinet with a floating baffle, and the Marshall uses four 12" Celestions wired parallel-series in a heavy closed-back ply cabinet with a firmly-braced baffle. The cabinet was actually all Jim Marshall's work and probably even more important than the OT ratio.
Both these are more important than the 5881/KT66 difference and the 12AX7/ECC83 *non*-difference - there isn't any, other than the minor difference between valve brands, 12AX7 and ECC83 are just the US and UK designations.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm sure I've seen that about the negative feedback before (probably posted by you, lol). But I forgot!
Yeah good point about the speakers/cab. I do know that bit, lol.
EDIT: Not sure what I was thinking when I posted... can I blame it on a migraine? Anyone who's paid any attention to my silly posts over the years might be tempted to think I get a lot of migraines...
Rift Amplification
Brackley, Northamptonshire
www.riftamps.co.uk
Tbh I would happily buy the SV20H except I know it's still going to be stupidly loud in the real world and I can't be arsed with buying amps I know I'll need attenuators for before I even start.
With the original JTM45s, the DIY look doesn't really show until you open it up and look at the chassis...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
There's quite an interesting video on Youtube where Johan Segeborn puts KT66s into the SV20H... it made it sound quite a bit more Fendery I thought (though not as Fendery as the JTM).
I can't quite decide if I like it or not (though I fear I'm liking it more the more I see it!), but the only better idea I can come up with is the SV20 look like you said. And as @ICBM said, they probably don't want it to look exactly the same for marketing etc. reasons.
As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb