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I always thought Phil Lynott played bass in a rhythm guitar type style, and it was certainly highly effective for Thin Lizzy.
And then there's Bernard Edwards' killer bassline for Everybody Dance.
The bass forums have been chasing that tone for years. It's a lovely sound.
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Lemmy, on the other had, was a guitarist who liked lower notes. And Motorhead would not have been perfect without that.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Aston Barrett said in a band the drums are the heartbeat and the bass is the backbone - I can't think of a better way to put the way I understand the roles than the great man himself!
So when I do play bass, I feel at home. Except that, like guitar, my dexterity and technique are shit and so I cannot pull of anything beyond basic lines with any consistency. Just basic alt, punk and ambient stuff. Or I can do a hiphop type thing.
If done right - it can be the very best thing in music. The players and the punters just experiencing something freeing. Even the mighty Vic Wooten is a fan.
Nowt wrong with that at all.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Wish me luck…
Nobody will notice a wrong note. Everybody will notice a rhythm fuck up.
If in doubt, just don’t play for a bar and then come back in.
Don’t worry, You’ll smash it!
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Granted, I'm biased as I can't seem to stop hitting wrong notes!
My approach playing bass with my mate Jon (and later with his band) has always been to go "aargh!" really loudly, so people are in no doubt.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator