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I like to use markers in Transcribe! to denote Verse, Chorus, Rise, Break etc, to establish song structures.
Sometimes I use Transcribe! to slow it down. That helps with fast guitar solos, or maybe for a chord voicing or a subtle nuance that isn't immediately apparent.
To speed up the process, I sometimes use YouTube to search out a video of the original performer playing the song. Or I find online tutorials and look at multiple sources to get the best take on it.
I'm not too bad at picking guitar parts up by ear, but this can vary depending on the style of the player. For example, I find Johnny Marr difficult as he has quite an unique style and often uses a capo.
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The tabs are often wrong and sifting through 9 versions claiming to be correct does my head in. But to confirm or correct they can be helpful. I couldn't work out the bass line to pump it up for an audition. Two notes were missing. Tab sorted it. Went to audition near the end I asked were we not doing pump it up? No the previous bassplayer couldn't play it.
I love the Pump It Up bassline. Quite a tricky one. I got most of it by ear, but needed to check the run ups, when it goes to E, by watching a couple of YouTube tutorials.
I can and do work out songs by ear, but I had to learn over 100 songs on bass this year and being able to save time by using the sheet music instead makes sense. When the sheet music is not available, I tend to use an AI audio splitter to separate the bass to make it easier to hear and use Magix Sound Forge to loop and slow down sections if necessary. I notate it myself in Sibelius (in standard notation, not tab) and read it from my tablet for gigs as there is no way I could remember all those songs without a disproportionate amount of effort!
A far better way of tab teaching, I think is this method I use for beginners
Mr Brightside - Played in key of Dmaj with guitar tuned down 1 semitone
...................................................................E(0)....................................................
..................................................................................E (17) .................................
..................................................................................................D (19) .................
.....................................D (19)................................................................................
......................F# (16) ......................................................................................,,,,,,,
..........D (17) ..............................D(17).....................................................................
This at least gets them see'ing the notes on the relevant frets right from the get go and they also subconsciously take in information like if it says D maj on the title as a key then it will normally have an F# in the tab not a natural F
I am ol skool in as much as I learnt guitar in the days there was no tab, the first piece I learnt was Apache in Bb because it was from a piano transcription done by someone with a record player / tape recorder that was sharp in pitch (common problem back in the day ) But I use modern tech all the time such as lala.ai, fadr.com and other resources like Mogg files split from Guitar Hero / Rock Band and isolated guitar tracks on Youtube.
Then there's the poor mans vocal killer ... take a 3.5mm stereo plug and wire it directly to a male XRL ... ground of 3.3mm jack to pin 1 .... doesn't matter which way you connect the other 2 wires for this application.
Now connect that into any balanced input .. like the mic input of a mixing desk or an audio interface and play the song. Anything panned in the middle of the song like the vocal / snare / kick / bass will be basically cancelled and the stuff on the sides of the mix, like the guitars and keys will be much more intelligible
If you have ever been at a shit disco and wondered why the vocals are all weird and thin that's generally what's happened
See, this is the problem with internet TAB -- full of mistakes!
You get the gist though ... give them the notes as well as the numbers
@Grunfeld
Shut up and Dance is about the only song in recent-ish times that's got the same kind of dance floor response as Brightside / Sex on fire etc.
Makes me wonder what we are all gonna be playing in another 5 years time ... same songs I suspect.
Then things for fun I did that Miley Cyrus song last year “I can love me better” but some of the music I like I would never have been able to figure some of the parts they played . I find rhythm parts tricky like Round & Round by Ratt with those little two note diads/double stops . I’m getting the iPad full version of transcribe at Xmas. At the moment I can only do the first 45 seconds or something and was using it to study a Sophie Lloyd shred version video to see how she fits the fast little runs inbetween a mixture of melody and rhythm . I kinda dig that sort of thing, & coming up with different arrangements of say 80s ballads etc
To add to the discussion:
I most play either black metal or Meshuggah songs.
For Meshuggah, I will absolutely look at the tab on Songsterr, because I'm not patient enough to figure it out for the most part, and they have a strong enough following, with a lot of their music being part of an academic syllabus, that the tabs tend to be 100% correct more often than not.
For a lot of the 90's black metal I play, you'd be lucky to find a clear live performance let alone a tab, so I tend to figure those out by ear. I prefer that a lot more though because it brings me closer to the music.
We used to have compulsory choir too and I would sing badly on purpose so I wouldn't get picked, and then get picked for it anyway.