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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I disagree - keeping signal is dependent on which lug fails.
I am still curious as to where I can have a look at you work. care to provide a link?
I'm a repairer not a builder, and I don't have a website.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
If I was paying top money for a pedal, I'd like to think the builder had thought out every aspect of it, and if a simple change of the switch wiring scheme reduces the chances of silence at a gig, even if only by a small amount, it's something that's worth considering.
I see.
Well, I will be sure to let DAM, PigDog, Skreddy, Cornish and the hundreds of other builders know they are doing it wrong and direct them to you so that they may properly wire their 3PDTs in the future.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
There must be a reason
I personaly would not use ICBM's scheme as the lead dress is not going to be as short nor routed as well. Having a well laid out pedal is an art form in itself. There is far greater chance of issues with poor lead dress than there are of switch failure of the variety ICBM raises. Running the in/out jacks and the PCB in/out wiring in proximity to each other is poor form. Having them on opposite sides and away from each other is ideal especially with higher gain circuits. Lead dress and routing is something that is far more likely to cause noise and oscillation.
1&6 - circuit input
2&9 - input jack
Why does it matter that I don't build pedals? If anything's bad form it's to try to put someone down because of who you are rather than actually addressing the problem. I have not criticised your workmanship at all, which is very nice - just your application of a particular wiring which is a known cause of failures. I fix things, that's why I know that. (Likewise shakeproof washers on the jacks, since jacks coming loose is also a minor issue, particularly when they're also used as ground connections.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
You use generalizations and they are pure rubbish. You are a pompous fool if you think your way is better than everyone else's way. Again, your posts put your poor chgarachter on display but conveniently have no work of your own for others to view.
I have used that last wiring scheme before - it is no better than the one I use now but it still is poor wiring practice in my opinion. I have not had any failures on 3PDTs because I solder properly. That is the cause of failures of switches - not the wiring scheme. Skreddy does not use that for all of his pedals and Cornish has used true bypass in the past.
This is an occasion where arguing with a pig will only get you muddy.
So that's nothing to do with the wiring, but the mechanical nature of the switch. I just wired a new one in, problem solved.
If another went, I'd use the scheme ICBM posted because, like I said, why not? It's not exactly more work, it can be made symmetrical if looking at guts is your thing and it means the switch is less likely to leave me with silence at a gig.
It actually makes it easier to diagnose a faulty pedal on a board. Rather than looking for one that's always silent (where everything will be silent anyway because no signal can get through) you're looking for a pedal that's silent with effect engaged, but allows a bypass signal when off.
That's... Really useful for a band on the road.
Edit: pcb's are also repairable, though I agree it can be harder work.
If the switch has gone, it might be more economical to just grab a new one and new pcb. Super tidy, easy, quick. Obviously it isn't for everyone though.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The problem here is that we have an armchair "repairman" saying the entire industry is wriring pedals "wrong" according to him. There are many perfectly fine methods of wiring a switch and none of these are any more prone to failure than the next but folks do have preferences for using one over the other. All switches will fail eventually - they are tactile.
I have hundreds of pedals out there and the experience to back it up along with all of the other hundreds of builders who are also doing it "wrong". If my or any other wiring scheme were prone to failures you would hear a lot of unhappy owners of very expensive pedals out there. Do you know why you do not hear of eveyone's DAM have a faulty switch or why their pedal went silent on stage? The answer is simple - this ICBM fellow is full of hot air and likes to hear himself talk. It sure is easy to criticise when you have no body of work of your own on display.