It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I'm much more of an electric player than acoustic so I'm not sure I can really say much regarding the string tension thing... going down to 11s certainly feels quite a bit more manageable to me than 12s.
I like silk and steel, but I can't remember if I noticed much difference in the tension! Sweeter/softer in tone, as you said.
Tuning down is worth a try, but it can affect the tone (maybe not with a capo, though, I don't use capos much!).
My YouTube Channel
Just had another thought when I re-read your first post- you mentioned low tension strings. I'm not sure about acoustic, but round core strings often feel a bit slinkier, so they might be worth a try- assuming you can get them for acoustic!
Newtone are local to me and at Northampton show in a week or so , so will have a chat as their name keeps cropping up
Should have time tomorrow to put it on the bench and see how low I can get the action
That's interesting about the slight added tension of the silk and bronze... I tend to prefer a slinkier feel. (That might be why I really like the Lucidity electric strings, they're round core I think, though I have tried other round cores too and I still think the Lucidities were a step up from them.)
For now it is still strung as it was, with Elixir 12's - But have taken down the action - Using the simple rule that 2mm shaved off the saddle is 1mm lower at the 12th fret - The nut was already cut to perfection - With a lower 'PRS' style action it is so much easier for me to handle
12's still feel like I'm picking telegraph wires - But a) will stay as is for a few days and b) try an Eb tuning
But have order 2 sets of Silk n Steel - 12 gauge and 11 gauge as my suspicion is these will be ideal
So very promising so far - As it happens yesterday I had a regular customer in the shop - Showed it to him and let him have a play - This was before I made any adjustments - he said wow what a slinky action - Just goes to show how different we are - but he is use to playing 2 old vintage Gibson's
I haven't mastered 12 gauge and don't think I will - But with a far lower action I can tolerate them - Especially if doodling around with chord work, blues shuffles/licks etc - But struggling when I'm playing my poor 'versions' of any jazz/classic in the style of Tony Emmanuel etc - Such a guitar is far less forgiving than an electric, but that is good as it gives you something to work towards as you try to improve your technique - Who needs to learn a new song when you can work out how to play the ones you know better
However the interesting point is that 10-46 now feel to thin on my electrics - No meat on the Low E/A/D when doing those shuffle bass lines - Something I've been aware of for a while and have tried 10.5 to 52 on a few guitars and like them - Just re-strung my fav PRS with 10-5-52 and instantly feels better - So I've moved up a touch on electrics - Still think I'll end up silk n steel (certainly as a test drive) on the acoustic , but will need to try both 11 and 12 gauge to see which wins
just because you do, doesn't mean you should.
So for now I'm looking at trying a set of low tension 11-52 at regular E pitch
Whilst I had it in my head that I will try to play all my electric songs on the acoustic, the phrasing/tone/feel does not always work - ie Girl from Ipanema so will have to kind of re-do it somehow - But loving the journey so far
Next to try is 11-52 low tension - Probably Newtone but at the back of my mind I'm wondering if low tension 12-54 might be the answer
Interesting that I've moved up to either 11-49 or 10.5-52 on all my electrics as 10-46 feel to skinny now after playing the acoustic