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I do not regret any of them, more so because they are more than double the price new now since covid!
I have lately been thinking about selling a couple of TA's and just keeping one so I can experience a few more e.g. 335, Les Paul Jnr that type of thing...
Do I regret buying them? No. My strats might be a total of £1000 and I could've bought one US Fender but that's boring and I'd get sick of looking at it! I'm just the type of person who prefers variety. But i did just buy a Jet Kotzen tele clone that's tempting me to sell all my other teles because it's perfect.
Only issues I have are storing them, the hassle of eventually selling a lot vs just one when the time comes, setting up so many guitars is a pain in the backside, and restringing is expensive!
Plus the great thing about bolt on necks is they make storing guitars easier. I just take the neck off the ones I'm not currently using and they all fit inside a big Shurgard cardboard box.
So - I want to streamline and simplify, that's a part of this. The attraction of only needing one type of case; of most of the parts being interchangeable; of having fewer guitars; of having everything work nicely with my Helix presets like @bloodandtears .
Each of my guitars right now is different, like @Yorkie , and a big part of that was not just about getting different pickups but also bridges and construction methods as @stickyfiddle mentioned.
But as I go through it more, this SG definitely stands out and I'm also confident, in the music that I make, that having a tone that is 'mine' is not just good but preferable, and totally works fine in live / cover contexts as @octatonic mentioned.
I also like having limitations - I find creativity happens more easily when there are fewer choices to make.
Would I go for a single dream guitar like @Wazmeister mentions? Well the most glorious guitar is that Murphy Labs Pelham Blue SG with the vibrola. But honestly, too much money for me. Amazing guitar though. Maybe I'll just buy a picture.
Finally, on the 'pro diversity' argument, I do love having different guitars and showing them to my kids. I love bringing them into our guitar world and they like to learn about the different types of guitars and circuits and colours. I don't think they'd be so enthused by just a series of SGs...I'm not even kidding about this last point, as left-field as it is
The only thing that's come close to the SG comfort is a Strandberg, I'm still considering a Boden Essential at some point and putting P90s in my SG
X1 Jag
X2 Mustangs
X2 Duo Sonics
X2 Musicmasters
I do have a LP special, love them P90s but always drawn back to the shortscales.
Despite the same scale length and all being B width there is quite a difference between the necks , the 70s necks are a bit thicker than the 60's
I string them with Gauge 10 unless flatwounds then 11's
I just bought what I think is probably the best guitar I've ever played, let alone owned (an M.B. Guitars 62S strat) and if I was still touring I'd almost certainly be looking to pick up a couple more. As it is, I'm seriously eying up another, even though 95% of what it will be used for is studio work. Despite never having been a strat guy it's somehow become my number 1 guitar almost immediately, and the thought of it not being available to me for a session for whatever reason at any point gives me the jitters.
Horses for courses, really. Pete Townshend has around 25 identical Clapton Strats on tour with him. I played for many years with an artist who had Robbie Macintosh as the guitarist on his first album. He turned up for the sessions with a huge amount of guitars, including "at least" six teles, all with traditional pickup layout.
Nowadays I have around 25 guitars, but they all get used, and they all do at least a slightly different job, other than I now have two strats that are pretty similar in function and sound. If I'm not touring I don't really like having lots of guitars that double up on each other, but if SGs are your thing (and I'd point out they make tremendous guitars for slide too) then screw it, why not? Buy stuff that you enjoy and makes you happy.
- US Standard Tele
- Parker Southern Nitefly (Tele-ish)
- US Strat Plus
- Charvel USA Select San DImas Style 2 (Tele-shaped)
- Hamer Eclipse
- Hohner/Stauffer Black Prince (HSS Tele + trem)
- ACG Reiver (P90s)
- Steinberger Synapse Transcale
- Gibson Firebird
I currently have a mindset which doesn't want to duplicate anything, but who knows... :-)