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I changed for a set of Sunbear 59 PAF set and was more than happy, I’ve got a 57 set in my 345 and the 59 set in my Les Paul, and Stuart Robinson the owner can tweak them to exactly what you want.
Neil Ivison off Ivison guitars uses them exclusively in his guitars.
The Full Monties are a wonderful set. PAF character with a touch more kick, but not to the point that they feel like they're bursting at the seams like some other overwound PAF designs. Enough output and tightness to take gain well, but not to the point where it feels compressed or boxy or narrowly voiced - balanced with balls and clarity in the right places.
https://www.montysguitars.com/collections/p90/products/54-p90-pickup
Excellent open vintage sound, I haven’t done any A/B testing besides comparing what came stock but I prefer it over the stock pickup. Which was very bright.
I haven't tried them personally, but Tom, my bestie, absolutely adores them and he's a tone fiend of the highest nerdery.
*An Official Foo-Approved guitarist since Sept 2023.
To me, the Full Monty is a modern pickup with an EQ tilted towards what we think of as a "PAF". Deals with gain brilliantly, and is a great rock pickup, but if I had to be slightly critical I don't think it handles the cleans in the same way as the standard PAF set or the Overspuns. The bridge pickup is middy (not in a JB way), a bit of a screamer, and works great for those things whilst maintaining some PAFy cut and high end.
The Overspuns. When I bought these, I was kind of expecting an overly warm, fat and potentially wooly thing (common experience with quite high wind PAFs). Quite the opposite. They definitely have balls, but they are bright and cut really well and sound just as "PAFy" as the Montys PAF set. It's a different flavour being A4 (the standard set is A2/A5 and a bit brittle on the high end), but I absolutely love them. The neck pickup is particularly good.
I would recommend either set tbh, but I do really love those Overspuns.
I got a good deal on them second-hand and I'm not sure I'd pay full whack for them. Same goes for all the big boutique brands though. I've loved BKP since the early days but have had to start limiting myself to sourcing their stuff used at this point.
That is a pretty low bar to be fair.
Both do the vintage/modern hybrid thing, but I'd say the Full Monty is... well, fuller, leans more on its PAF characteristics, doesn't have quite as much headroom, is generally a bit raunchier out of the gate, as Ian said above.
The Black Dog always feels underwound for its design to me, and I mean that in a good way; it feels like it could take way more power than it has and still be comfortable. It's got PAFish smoothness and presence but much more modern qualities in its attack and overall voicing, tight bass. I tend to think of it as "low-output modern" with hints of PAF rather than a hot PAF or "vintage hot". It cleans up more nicely than the FM, but will still be raunchy if you want it to; it's just not its default character.