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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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I am using a mix of dark and medium oak stains with a touch of walnut thrown in. Mahogany stain always looks like dark red mahogany furniture
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I have wired it up today. it sounds absolutely amazing unplugged, and thankfully that comes through the amp pretty clearly. I am starting like like thin, lightweight guitars a lot
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Love the juniors
I've just got a limba hard tail set neck strat strung up and it's bloody lovely
Great tonally and I love the weight
(formerly customkits)
Big neck ?
The Mojo pickup sounds really good. I am not going to try and describe it too much because I am crap at that. It has a bit more bite than a comparable P-90, but this may be due to the closeness discussed before as much as the pickup itself. I plugged it in, strummed and I was very happy.
I think the neck is 23mm thick, but with a chunky profile that makes it feel bigger. There is not much taper on the thickness. I will get some measurements later. It certainly feels big, but I have done bigger than this before. I don't stop and measure on builds like this
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I spoke to Marc about the height of the blade on the pickup and he suggested he could extend the slot on the cover to lower the blade to the bobbin. Didn't seem worth sending it back for him to do that when I could just do it myself - and age the cover a bit at the same time - so i did that myself and its worked really well.
damage - basically i bashed it around a lot with various things. no tool used too often.
checking - first time trying to do this with a blade. Tom Murphy says it will look shit at this stage, it certainly does. Biggest issue was deciding where to start and finish and i think i starting thinking of spiders and zebras as my mind wandered.
So all that was done with the parts on and looked like this
Tom Murphy is right!
The next stage is the one that starts to make it. I took it all apart and rubbed it down with a mix of black/brown stain with wax - gave it a good rub and buffed out with a microfibre cloth I also aged the parts at this stage. and i added cream backing to the plate to pop the colour
I am about 60% happy with the checking. I got close enough to realise how I can do it better. More flexible blade, think about how the dents affect the cracks more , and think about the start and end points... might have a go on my les paul deluxe top
FYI, none of the colours are right in the iphone pics above. the wood is actually quite dark at this point
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Like it's had a life and would have many stories to tell ...
I've just got a rockinger to try but I like the look of the mojoaxe better, anyone know if there's a cheaper type of mojoaxe wraptail I can try.
(formerly customkits)
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Does it intonate ok?
(formerly customkits)
I volunteer for step 22.
Fascinated by the checking process, especially the toning down of the original assault with stained wax.
Also, it's fairly universal how bad all finishes look at the middle stages of the process. It's why I tend to not publish the photos at those points and certainly not show a customer those particular stages so they don't go "Oh Holy C**p! THAT'S not what I was after.....)
As it happens, I have to break that rule this morning. I'm building an EB-3 bass for our old-gits-band's bassist that I need to show him at the very early stages of staining. I think he's going to be horrified
I like very much this build @WezV. That bridge is also the dogs wotsits....
i didn't need to colour the wax for the post damage rub down. I think on the moderne I did a wipe with stain followed by a buff with natural wax
Does the bridge intonate? Better than you would expect, better than a lightning bar bridge with the incorrect strings. Close enough for rock and roll
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i have been trying to decide whether to age my deluxe, and doing this has me nearly convinced to do it
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i am interested as to what difference you think the neck through the body made. This technique was widely used in the 80's by Japanese builders but it was always on a form factor that had a pretty thin body and I alway felt it hard to gauge if it did all the things people claimed like improved sustain, dynamics etc as they were always so removed from what I was playing at the time (les Paul).
with your design its a slab les Paul with a p90 variant. Do you immediately notice a difference.
again thanks for a great build thread like the relicing ideas
I have made loads of neck through's, but never an un-laminated one-piece neck. I have played lots of normal juniors, but never one with such a thin body. The wood is also a lot lighter than the mahogany I have used before.
....
in other news, I have killed the pickup.
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