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But if you are stacking it against say a DD-20 or a DL-4 then it's a beast.
It has presets, midi switchable between them, tap tempo and a looper, the edit ability of the tone print section is pretty special too.
Also, and yes I realise this is the spillover issue again, but you can't have spillover if you're switching with MIDI. The simple solution would've been to allow the player to enable/disable presets with MIDI CCs, so you could disable one patch and then enable the next one quickly enough to give the impression of a patch switch while retaining trails.
The worst part? They've already got a full MIDI implementation in all of the Toneprint pedals (that's how the editor works - MIDI over USB, with all parameter changes by CC), but none of it's exposed on the MIDI ports. That's what I meant by "half-assed".
Admittedly, none of this makes any difference to somebody who's just using it as a straight-up pedal, but that's not me. Hence me being annoyed with it after I bought one
Also the Triple Delay...
"Let's make a delay that can run multiple engines at once... but lets not give the ability to keep them in sync 100% of the time because the tap switch doesn't work for any of the bypassed ones... let's justify this with nonsense argumentation about slapback echo... even though anyone buying this pedal doesn't care about that... because you don't need three delays for slapback echo..."
Still makes me proper rage.
I have a loathing of metal click footwsitches anyway, but this one was particularly nasty. It's slightly annoying that quite a few modern multi-FX are now using metal switches - even if they're really only for show, and they're actually soft switches underneath.
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