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And cheers, Zap, too kind sir, too kind.
I think a lot of it was in my head (maybe yours too). A chance meeting outside Asda with an ex-drummer and his current guitarist (always admired him as a player) got me going again. It turned out we'd all thought about us playing together - it was just finding a way of making it happen.
There's a band out there just for you... you've just got to find it.
Agree totally with the better off out of it sentiment. I think of all the people that have auditioned for bands I was in over the years and never once did anyone in those bands give any of them any shit. If they were prepared to give it a go good on them was the attitude that prevailed. Not a thing that was discussed before hand just basic decency.
Maybe I was lucky but I never got any crap when auditioning either. Other wise I would have had some kind words of my own in response.
We give the chap a list of 6-8 songs and ask them to pick 3. We then let them have mp3s of the versions which we follow the closest, and chords/lyrics sheets for our version. When they arrive we ask them to pick the play order, in the hope they pick the one they're most confident at. After we've played the three songs we generally suggest we jam a simple 12 bar, just to see how they are at following the rest of the band. Maybe we'll jam something else as well if that went well. We had one bass player decline to jam a simple 12 bar in A. That was all we needed to know really.
Then we'll make it clear, by putting our instruments down, that we're finished playing, then we'll chat about what we're aiming for, how many gigs a month, rehearsing, gear, song choices, etc etc. Try and get to know them and such. Then we lie about having someone else coming to audition next week and we'll let them know. It just isn't possible to make a decision with them in the room (apart from one guy who was absolutely brilliant, we wanted him, he wanted to join but we had set his tinnitus off again so had to decline!!, we do play a little loud)
So if you are going to an audition, make it clear you want to be prepared, you want to know what songs, whether there are changes from the studio recording, and if so what they are, especially starts and finishes. If you are going to be asked to solo, make sure you know where and for how long. Make suggestions as above, 3 songs well prepared is better than 8 fudged. Decline to audition songs chucked at you on the night, unless you are really confident. If they suggest 'lets start with', say do you mind if we start with '.....'. Just to get your eye in. If you feel confident about jamming something, just say 'can we set our levels' with a bit of a jam, how about this....
However, I would struggle to jam in anything cos it's not something I'm any good at. I couldn't improvise something if you wrote it down for me first. Which probably rules me out of most bands, I guess, but as I'm just after a simple covers band at the moment till I get my eye in, as it were, hopefully I won't need it.
But jamming is that catch-22 thing for me - if I don't do it, I'll never learn, but how do I learn to do it properly if I can't keep up with those who can? Whenever anyone's jammed, I tend to put on a sickly grin and sit down, cos when I've tried to join in, it sounds like someone's being tortured.
On auditions - I went several miles (60 mile round trip) to play an audition as "second guitarist" in a covers band, that were using a particular rehearsal venue but would be moving more local to me in the near future. I asked for a setlist and learned three numbers, suggested a couple of things I could play as well and turned up. I got a bad feeling immediately, but played ok. The existing guitarist was clearly very uncomfortable with me there, although he was a real gentleman and did his best to hide his discomfort, and we were playing the same parts. He got me playing a couple of new numbers with him and we got on quite well. I got the distinct feeling they were looking for a replacement for him but didn't want to spoil the rehearsals by telling him or excluding him or auditioning without him. The bassist was a prima donna alpha male, the sound was terrible due to clashing frequencies, and the experience was awful. They told me later that they didn't want me as they were just trying out a second guitarist because they were experimenting with their sound but might try a keyboardist instead.
Seriously: If you value it, take/fetch it yourself
Though I'm not having any luck in getting any more auditions (looking mostly on joinmyband). I'm obviously not being sufficiently blowhard about my abilities, cos I either get ignored or politely refused.