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I was very concerned about the sound, as it seemed very very shrill when I tried it myself. I ended up cutting about 8dB at around 1500hZ on the output, and that's helped massively. Doesn't 'bark' as much.
My hearing is very poor above 3.5kHz. I can hardly tell the difference between cable and Relay G55 wireless. The filter was set up when I bought the Relay through the Classifieds, which must have been at least five years ago. My hearing would have been better at the time, but not perfect.
Nowadays I use shorter, lower capacitance cables than I did then, so my plugged in tone is brighter. My presets are EQd for the new cable.
It’s not a stupid question, but it’s an extra complication. I’ve had several occasions where the wireless has gone down during a song, and I’ve switched to cable in less than eight bars. I’d rather put an EQ between wireless receiver and input socket, or dedicate a footswitch to an EQ block, than have to think about changing patches and scenes mid song. Then there’s the effort of maintaining parallel patches.
I know that the next bit won’t interest most guitarists, but it illustrates the point about making the band fit together. Yesterday ran a midi clock from the keyboard. This was a big improvement to my personal workflow. I use song tempo to set Delay repeat times, and to synchronise the lights to the beat. For years I’ve had to tap in the tempo at the start of each song. All I have to do is cue the lighting pattern changes as we move between verse, chorus and bridge.
It sounds tedious. It’s got nothing to do with guitar playing. It’s all about minimising the risk of something going wrong at the show.
Anyway, the Pub manager liked us. By the end of the soundcheck he’d already offered us future bookings, so it was a success.
https://fb.watch/7Z3S7lIZXm/
Nicely done with the stage invasion, btw.
One thing I will have to do if I’m going to use the PRS is change the Acoustic IR. I could create a new IR, or I could Tone Match neck pickups on the Tele and PRS, or I could adjust the PEQ. Answers on a postcard please. Likely outcome is that I’ll try all three, and see which sounds best.
For example - a quite pathetic passive-aggressive shot at 'a new device' (*cough*Quad Cortex*cough*) - https://forum.fractalaudio.com/threads/ooooh-charts-and-graphs-redux.176959/
Even if it's true, I'm not quite sure why he feels the need to post it...?