It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
One of the writers is also responsible for Alien: Covenant - big warning there then.
To be fair, it was pretty good up until K finds Deckard, then it goes downhill, with some daft Beyond the Thunderdome brief subplot and the ending is absolute cheese, and awful stealing the music from the end of the first film too.
@mellowsun got to disagree.
This movie is deeper than almost every science fiction out there, besides the visuals.
My YouTube Channel
There's a difference between not explicitly stating things for the audience (which happens A LOT in this movie) and plot holes.
Feedback
MHOs:
The bit I most liked, and that is most related to the PKD "what is it to be human/alive" theme was hinted at often but in passing and left underdeveloped. And in that, the relationship between a replicant and an AI hologram companion was the most promising (with the Elvis hologram performance being a nice joke). But it would have been so much more interesting if, when it's time to leave the apartment, the AI wanted to keep her immortality and avoid the risk of death. She could have played a sacrificial role in saving his life - an actual example of the point made several times in the movie (but only made in relation to the replicants).
Talking of saving his life, RS forgot to give any reason why the villainess didn't kill Gosling's character after picking up Deckard at the hotel. As unlikely plot moments go, this is Bondian in its hokiness.
I did like the suggestion/claim that Deckard had been pre-programmed to be attracted to Rachel in the original story, that Tyrell had bigger plans for replicants. But not sure if the idea we're supposed to get is that Tyrell/Wallace is just an evil corporation wanting self-replicating slaves for $$$ gain, galactic dominaton, who knows what purpose? This is another odd bit of underexplanation. As was the big power/data blackout thing (seems that backing up will always be an issue in the future).
The music and soundtrack. Well, there's Vangelis, there's whatever Johansson came up with before being sacked, and there's what we got. Some huge synth sounds to match the images, but no memorable theme at all. And there was no character in any passing music. You're not going to hear a 'drunk piano' sound or sultry sax theme that will ever take you back to this story. Loved the dialogue when there was nothing but reverb, as it rolled out across the cinema audience. Really took you into the scene.
Overall, I thought this was a thin story told in episodes that were either OMIGOD awesome scenes, or just small nods to the original noir-esque BR environment, and I think it was over-elaborated to the point where there was too much stuff going on to bring to a satisfying finale. The PKD theme - which is the real heart of Blade Runner - got squashed out of it.
Villaness was disinterested in Officer K in the Las Vegas hotel as she had now Deckhart, at first I agreed, but then in the Rachel scene it became clear - Officer K was just a pawn.
I fell for the 6102021 distraction (but I did think the dream maker was the daughter immediately - the genetic disorder)
There's enough plot loose ends if someone in 30yrs wants to do another IMHO
Feedback
My YouTube Channel
Thought that Jared Leto's performance had no weight and it spoilt the character for me. I had no love for any of them in this film, certainly not like Pris and Roy in the original or even Leon for that matter.
Needs about 30 plus minutes cut out from it as it drags its heels and then just ends abruptly.
Guitar Bomb Giveaway – Win a Warm Audio Centavo Overdrive Pedal
1) The convenient plot device of the one-eyed replicant/leader of the rebellion who turns up as the person who helped hide the daughter.
2) The crappy bond-villain of Wallace, threatening to torture Deckard 'off world' into revealing the whereabouts of the convenient one-eyed rebellion leader/helper
3) Deckard feeling safe to visit his daughter at the end, despite having just caused havoc with a) K having just downed 3 ships and b) killed Luv, which surely would have been tracked and alerted Wallace
4) The terrible K's 'time to die' with Roy's theme at the end
Easily the best 3D movie I've seen, the lack of "wow" 3D moments was a refreshing change, just used to make things a bit more real. Soundtrack was amazing, loud yes but not uncomfortably so.
Did I enjoy it? Yes
Is it as a amazing as I wanted it to be? Not quite.
The sound is loud, far too loud when it kicks in. Good for a rustling of the sweet wrappers though. It doesn't quite have that noir feeling of the original, it's had a bit too much grit polished out for me. It honestly didn't feel like 2h 40 odd for me, it's slow but didn't drag.
At the end everyone got up to leave and didn't say a word.
Stunned silence? Disappointed? Not quite sure what to make of it? Personally I felt conflicted. Enjoyed it but I didn't come out thinking "wow!"
The army of replicants bit just reminded me of Zion in The Matrix, not a great feeling at all to be honest.
I liked the bit where K bursts through the wall, another nod to Roy I thought.
The ending where he meets the daughter is a bit meh.
Certainly a few chords struck with the comments above. Yes, it's very much in the vein of the original, the feel, the questions left in the air and the odd bit of excitement that's all the more solid for its rarety.
It's also true that a lot's not said or left unanswered (like the original) - but then isn't that the point?
And of course the core question remains unanswered - though it is more explicitly asked here.
Overall a worthy successor; an epic if you though the original was an epic, so-so if you though the original was so-so.
I'd say it was a very worthy sequel.
Yup, a lot of ambiguity. A worthy successor that didn't tarnish the original or Prometheus it