It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
The 'Three Amigos'
L-R - 1982 Ibanez Blazer, 2006 Ibanez AGS83B, 1981 Ibanez Artist. All now with Seymour Duncan pickups.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
The one on the right is an Artist, basically a double cut Les Paul-style. In the middle is my day-to-day number one guitar - a semi-hollow (335-style) that's really versatile.
They're kind of my 'not quite-a-strat (or a tele)', 'not-quite-a-335' and 'not-quite-a-les paul'.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
That pic has to win the "pic of the thread" competition.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
An Epiphone ES335 Dot with Gibson reissue 52 pups, an Avalon A200CE in rosewood and cedar, and an Ibanez AV200 (I think, I got it second hand).
I also own varicose pieces of firewood -
The original Denecaster, made from a lump of African mahogany, the Les Dennis with its Rolling Mill pups and the Bluecaster that I put Seymour Duncan pups into, both from kits.
The Vintage V6 I repainted and rescratchplated for a distant £100 challenge, the Tele made from an old pine dining table and a Variax neck from Sporky for an even more distant £100 challenge, and a Tele I bodged together from a neck and body off evilbay and some Iron Gear pups.
And finally the acoustic kits. The Martin kits - there's the Martin O'Neill 1, where I got the neck angle so wrong the action at the 12th fret is nearly 6mm; and the Martin O'Neill 2, which I nearly got right apart from all the scuffs and lumps and overflowing edges and stuff. And the Irish Stew, from a StewMac kit, which is so nearly there it could make me cry - I just cannot get the frets at the body end of the neck to go into the fretboard properly, as a result of which the action from the 7th to the 12th fret is too high, but it's fine everywhere else. (No, I don't think the neck is warped because when I lay a metal ruler alongside the neck to line up with the fretboard/neck join, it's dead in line, and besides, you can actually get your fingernail under some of the frets.)
As to everyone else's, there are some truly gorgeous guitars up here, including TTony's first Bailey course effort, Zap's favourite Tele and DDlooping's symphonie en noir, but without wishing to make out that anyone else's collections are somehow lacking (they clearly aren't, and I have no desire to imply that they may be), my favourite sets belong to monquixote, marauder, ESBlonde (that Gibbo is to die for!), Marantz and Steamabacus.
just because you do, doesn't mean you should.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
Noise, randomness, ballistic uncertainty.
Noise, randomness, ballistic uncertainty.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Jaden Rose Series 2
Jackson SLS