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Is that blades for half the strings and poles for the other?
If so, wouldn't it make more sense to have the blades on the higher strings since those will more likely be bent?
Maybe I'm making silly assumptions lol
The Gordon Smith I bought last year equals the best Gibson I've bought in recent years, and surpasses the quality of the other four Gibsons.
It's a Railhammer - a design Joe Naylor is well known for. They describe the logic of the combination as: Rails under the wound strings for tight clear lows, poles under the plain strings for fat singing highs. The poles have a wide diameter. More info here.
Since Auden have bought the company, the QC issues of the last years of the original owner seem to have been resolved.
I'm not sure I like the brass nut, and historically they always seemed to have quite shallow neck profiles that I don't like.
Would definitely be something to try before buying.
I'm pretty sure that the OP says he doesn't get on with the geometry of an SG. I sold mine for the same reason. I remember using it for a long practice (around 5 hours) and had a really sore wrist by the end of it. I used my Strat the next week and I was fine. In theory, the Strat should have been harder to play with vintage style frets and a longer scale, but on an SG the far end of the neck is a long way away due to the position of the neck join. Combine that with the back angle on the neck, and it doesn't put your left in a good playing position.
Pretty sure Jon could make you a twin humbucker version if you asked.
http://www.caseguitars.co.uk
This is just my opinion. If you are content to rotate control knobs with chopsticks or forceps, be my guest.
Take a read here
http://www.thefretboard.co.uk/discussion/comment/2097978/
Seriously, the controls on the four knob models do look uncomfortably close - though I've not played one. In fact, for my taste, they're a bit too crammed together on an SG. Especially when you've also got fiddly push/pulls on the volume. I used to think a four knob layout was the 'right' way to do it, and anything less was inconvenient - but these days I just work with whatever is there, and if anything my preferred layout is the Reverend set up; volume in reach of the pinky, with bass and treble controls.
And I can't stand front mounted jacks (apart from Strats), which most SGs have too. A big plus for me on the GS1000 model was having a side mounted jack. I think Gibson should've retained the side mounted jack from the 80s SGs - but I guess most of the market they're selling into wants everything to be traditional.