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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I can understand why you'd French polish (for example) a light-tension, lightly-braced classical guitar, but I can't believe the finish on an electric affects the sound. The only valid motivation I can think of is if you want to develop your own natural reliced effect
I'm a strat guy, but not partisan abought it, I bought a 335 and wanted a Les Paul. I love chambered guitars, and don't like very heavy guitars, so I got a Chambered LP.
After a year or 2, I gave up on it, the ergonomics did not work for me, put it up for sale and then strangely ended up swapping it for a PRS, and an amp for another PRS inside one week, both times offers out of the blue.
I'd recommend them to anyone now. Gibson sounds with better ergonomics, better quality, that stay in tune.
The 335 was sold after I realised the PRS Hollowbody worked better for me. Again, the ergonomics of the 335 did not suit me, and it did not stay in tune as easily. (I had a pro set up to fix the nuts on both Gibsons, but even then the angles behind the nut are problematic)
I bought a PRS studio last year, I've always been struggling to get a SSH pickup set to work for me, so it was interesting to get the NF pickups on this, which can do a lot of different sounds.
So: I play mine when I'm not in a strat mood
With electrics, when they do wear they wear nicer and it makes sense on vintage style guitars. Modern guitars I'm less bothered by if the finish is thin eg Musicman