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Comments
Custom shop strat, matchless amp, £2k pedal board = yep.
Line 6 hx stomp vs iridium vs amplifire 6 = nope.
There’s been plenty of gear I’ve gushed over when I’ve just bought it. It’s often not until several months, or even years, later that I’m really aware of why I should never have bought it in the first place. I don’t believe anybody can do an honest review on anything that they haven’t owned for a decent length of time.
At one end of the spectrum are reviews of stuff where the reviewer is using the mic on their phone or camera and they are in the room with a reasonably loud amp and the sound quality is so bad you can't actually say either way whether what the thing being reviewed is good or bad.
On an increasing scale towards the other end of the spectrum are various qualities of "proper" recording setups varying from a SM57 stuck on the grill of a cab or in some cases quite complex studio style set ups with multiple mics etc. The first variable with these is the engineering skills of the the person doing the video, the second is the recording space being used, and the third are the variables created by the other gear used both in the guitar signal chain and the recording chain. I remember when TPS changed over to using a Univeral Audio interface, I immediately thought, wow, seems to sound really good today and then discovered that they had changed interface.
As regards those reviewers reluctant to compare tube amps to modellers, depending on the variables I mentioned above, a modeller will potentially sound better than a recorded tube amp. Otherwise, the thing that a tube amp offers over a modeller is playing feel, there is a bounce/responsiveness that modellers don't have. However, this "feel" is not something that a recording is going to be able to communicate, and therein lies the problem.
I quite like Rob Jones at the Meat Manifesto. Definitely offset centric, and no bells and whistles - just plays guitars so you can hear their sound.
Overall however, really great players will manage to make anything sound good, so not necessarily a good guide. Wasn’t that Jon Spencer’s point in the Blues Explosion - great songs raucously wrung through any gear he could find ?
I watched loads of HX Stomp videos before I bought one. I didn’t care for the many praise and worship presets on a lot of the demos but it still let me see how the unit worked and that I could use it in the way I wanted.
I still bought one.