It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Obviously loads of Bob Dylan stuff on TV at the minute. Although I knew of this film, I’d never actually seen it before (factoring in I am not much of a Dylan fan).
Dylan comes across very well, and determined to get on with the job in hand - his national tour. Alan Price seems to be woefully provincial by comparison and Joan Baez seems to be on another planet.
The most interesting ground is the artist and journalist relationship. In that Britain’s finest don’t seem to know what they want to say to Dylan or how to say it - so end up floundering in circles causing needless arguments about nothing.
Nicely paced at an hour and a half, this is well worth a watch.
7/10
You don't often see such a load of bollocks unless it's direct to DVD rubbish.
Cliche ridden no brainer of a zombie movie, with added bits of Aliens, Escape from New York and countless heist films.
Dark and atmospheric account of John Ruskin’s loveless marriage to Effie Grey. Greg Wise and Dakota Fanning are incredibly authentic looking in the main roles, and Tom Sturridge gives a valiant effort as the knight in shining armour that is John Millais.
The story is straightforward and attention to detail quite incredible. It’s a slow and quite disturbing burner - very watchable and beautifully paced.
Ultimately, Ruskin is a right bastard.
7/10
An agoraphobic, alcoholic, traumatised woman spies on her neighbours and thinks she witnesses a murder - she reports it but no-one believes her and it appears no crime has even been committed...
I wasn't expecting any big surprises in this Rear Window rip-off, but for a while it looked reasonably promising - big names in the cast and crew, a great setting in a gloomy, rambling New York house. There are a few good moments, but it gets increasingly contrived, stagey and eventually utterly ridiculous.
I thoroughly recommend The Woman in the Window - the 1944 Fritz Lang film, that is, not this tripe.
Bill Nighy and Annette Bening in an emotional drama about a marriage breakup and its impact on their son. That's it really... there's not that much of a story other than the basics of that, no great revelations or plot twists, and although the photography is very good there's nothing much else to say about the direction! But...
Nighy and Bening are absolutely outstanding. If you want to see two hugely experienced actors doing what they do best, it's worth seeing for that alone. Nighy is subtle, Bening is possibly a little over the top in a couple of places, but her character is meant to be uncomfortable, and she just about stays the right side of the line. I think the film is trying to say something meaningful about relationships, which it largely fails at, but it doesn't really matter.
7/10
(Netflix)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm not very good at remembering movie scores - my brother's much better at that - but even I noticed it felt Hitchcocky during the "exciting" bits.
Double Indemnity of similar vintage is great too. Saw that last week. https://www.imdb.com/title/tt0036775/
Watched it last night. OK for movie geeks and a must for horror fans. Like a hammer film on steroids.
I've seen Suspiria many times, but watching the restored version on a big screen a few years ago was quite an experience.