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Bullitt (1968) ITV4 tonight.
This is must be the 10th time I've seen it. I still think it's great.
A real antidote to CGI, superhero junk. Plus the cars are so cool. The Charger Mustang Duel is still rocking now. no digital artefacts.
God, I'm old.
The car chase scene hasn't been bettered IMHO so no CGI needed.
I believe there's an underlying question about what is classy and believable for its era?
Marvel and DC action adventures provide 2hrs of fast action, escapism and indulgence ... Bullit, Casablanca, Maltese Falcon, Hell Drivers, Saturday Night Sunday Morning, Kes ... and an endless list of classics provide SO much more ... especially if they're B&W.
For anyone who has never taken monochrome photographs I'd encourage you to have a go ... you'll be rewarded for sure.
Stu
Caught Once Upon A Time in Hollywood. I think it’s Tarantino’s masterpiece; every frame could be printed and framed; it’s his love letter to the movie business. Everything about the film works really well; Leo is fab as the decaying tv star but Brad Pitt steals the movie as his stunt double. The scene on Rick’s roof when he’s fixing the aerial; it’s a nothing scene but he turns it into the epitome of American cool. And the final 10 mins are a hoot. 10/10.
oh yeah, and it turned me on to Twelve Thirty by the Mamas and the Papas. How had I let this tune pass me by!
Ok, it is my favourite movie of all time and part of my Cheltenham Festival tradition *cough* (see the weird habits thread). But for me it is perfect. I feel like Woody's character is a good friend and I want to be part of his social scene. Black and white suits it perfectly. The shots of New York are perfect. The gentle humour, Diane Keaton's character and acting, plus the whole snapshot of the MC's life as an early 40something I find compelling. I must've watched it between 10 and 20 times, usually at the same time of year, but I always find a joke I've missed or bit of dialogue.
And the sound - not sure what you call the sound of this movie - but it's almost muffled, peaceful, tranquil I suppose. I can listen to it as background noise and feel like I'm right there with them.
And of course, the greatest opening 5 minutes in movie history!
Annie Hall - 8.5/10
Much the same as above! Completely different stories, completely different characters, but still compelling and draw you into their world. No opening sequence masterpiece though and that film just misses that unique personal connection with me to viewing a film as very good or a masterpiece. Saying that, I think it's highly likely that it will become a Cheltenham 'Eve' tradition, as an appetiser to Manhattan on Cheltenham Tuesday morning!
For the record, I'm not to fussed on other films of his. Love and Death funny, Sleeper and Bananas ok, Everything You Always Wanted...average. I did like Antz!!!
I read about this a while ago and was expecting something a bit spooky based on ancient myths of the sea... It's actually more of a sci-fi horror, set on board an Irish fishing boat and borrowing a few ideas from Alien and The Thing but without any monsters or special effects to speak of. The idea's not bad, and it's intentionally low-key, but it's sorely lacking in scares and excitement. Disappointing.
Personally, I prefer the sequel, but this is still high up there on my list of all time great movies.
One of the things I always loved about this film was the questions posed but never answered, until Prometheus and Alien Covenant came along and tried to answer those questions and ruined the franchise in the process.
A reboot of the franchise is needed methinks, to elbow Prometheus and Covenant out of the picture and retell a proper story.
Anyway, back to the film. Yes, a goodun, although a few things don't really add up, but for the sake of a tense scene - and since it was mentioned here about a week ago the chestburster scene is now ruined for me.
8/10
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
Spider Man: No Way Home - absolutely loved it. If you don’t like the Marvel films then don’t bother with this, but if you do then it’s one of the best ones so far imo. Loved all the fan service stuff, shed some tears, and loved how it ended too. 10/10
The Adam Project - as already mentioned by a few others; we enjoyed it, but as my wife pointed out, Ryan Reynolds is just himself in every film he’s in, isn’t he? The kid was excellent, and although nothing in it broke any new ground it was definitely an enjoyable way to spend a couple of hours. 7.5/10
Freaks - this was on Netflix, found it by browsing the Sci-Fi films. It started promisingly, and I said to my wife it was going to end one of three ways: “Ah, I see”, “Is that it?” or “Eh?”. I’m not going to give anything away, but we both very much enjoyed it. Well acted, interesting story and just enough explanation to let you know what’s going on, but not necessarily why it’s happening. 8.5/10
We’ve also re-watched all the Batman films, in order:
Batman: Jack Nicholson steals the show, the city looks great, and Michael Keaton is pretty good, although I’d forgotten just how camp it all was. Enjoyed it though, especially Jack Nicholson, who looks like he’s having an absolute whale of a time in every scene. 7.5/10
Batman Returns: I don’t actually think I’d seen this all the way through before, amazingly. I didn’t like it as much as the first film, although it was very similar. Danny DeVito was excellent (and gross), and Michelle Pfeiffer was superb (and a little sad). 7/10
Batman Forever: I definitely hadn’t seen this before. Just shocking. I really didn’t like it; the city didn’t look as good, the Batmobile was horrible… Jim Carrey was good as the Riddler, but I hated Tommy Lee Jones’s Two-Face (although the thugs’ branded uniforms, helicopters and vehicles made me laugh). 4/10
Batman & Robin: I hadn’t seen this one either. I guess it’s even worse than the previous one, but actually I enjoyed it more. It’s so camp it’s literally like someone has made a film of the comic book, and I thought Arnie was excellent as Mr Freeze. There were some bits that I found genuinely funny too (Bane planting bombs around a door growling “Bomb!” as he sets each one absolutely cracked me up), so I’m giving it 4.5/10. Apparently George Clooney has been known to refund people who paid to watch it, but I would probably watch it again if I had to.
Batman Begins / The Dark Knight / The Dark Knight Rises - just excellent, although Christian Bale’s Batman voice is unintentionally hilarious. 10/10 for each of them.
I'm not locked in here with you, you are locked in here with me.
I'm not locked in here with you, you are locked in here with me.
There seems to be an entire online cottage industry devoted to websites pointing out stupid questions about films, calling them "plot holes" when they clearly aren't - "how did they get there?" "why did that person happenn to show up?" etc etc
It's utter nonsense. I don't remember any work of fiction ever being better for everything having been explained. Christ, in scifi most of the best bits come about are because things aren't explained. Does my head in!!
I enjoyed it quite a lot even though it was a bit too nostalgia driven in places.
I'm looking at it as less of a standalone film, and more of an extended introduction / trailer to Dr Strange's multiverse film.
I have no doubt the returnees were contracted a good year in advance - TM in particular had a look of a middle aged guy who had recently dropped about 5 stone rather than someone who could normally fit in the lycra.
It would have been far funnier if he had turned up with a serious beer fueled middle aged spread but still be fully capable.
A solid 7/10 for me.
I’m so bored I might as well be listening to Pink Floyd
This was a odd one.
After a man dies on his operating table, heart surgeon (Colin Farrell) befriends his son. The son starts behaving strangely. It then becomes apparent that the surgeon's drinking may have contributed to the death. The surgeon won't admit he had anything to do with the death of father. The son punishes the surgeon by causing things to happen to his two children. How he does this is unclear - some power of thought/unexplained thing.
It all gets more and more weird with everyone (especially the surgeon) losing it and becoming disturbed and frantic. Aside from the odd story, the dialogue is delivered in deadpan and deliberate bad-acting style, which is somehow impressive seeing as they're all obviously good actors (Nicole Kidman is the surgeon's wife)
I found something very Stanley Kubrick (Shining/2001) about the way it was shot and directed. I watched it all but I'm not sure I can say I enjoyed it.
I guess it's loosely about retribution but much beyond that, I'm not sure
Hmm, what do I think of this one? It was alright, ok, not bad.
If you accept it for what it is, as sci-fi fantasy aimed at 11 year old lads then it ticks all the boxes. Beyond that it has no real merit or substance.
As a family film it's alright, there's nothing I noticed that was offensive, frightening or overly violent and I'm surprised it had a 12 rating on Netflix.
Ryan Reynolds does his thing quite well and I thought the kid who plays his younger self did quite a good job of imitating Ryan Reynolds mannerisms to pull off being his younger self.
It was entertaining enough but made to a formula and it's not a movie you'll ever find yourself eager to see again when one of your friends asks you round for movie night.
Adequate but forgettable. 6/10
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.