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But quality has nothing to do with it, does it? To be honest, this makes a bit of a mockery over how hard it is to build a good strat or tele. These are good strats and teles, but with other little details to make them harder to tell apart from vintage models - then they have the logo applied making them fake.
All these guitars need to do is not use a Fender logo. They would still be the same super anally retentive vintage style build, but they would be legal and could sell on their own merit. Instead, they undermine themselves by selling them as fakes.
They are not interesting guitars to me (accurately copying routing cock ups, for example, doesn't make the guitar better or worse - it just makes it harder to tell it's a fake and therefore the only reason to buy one of these is to pass it off as genuine). But I'm sure they're very good - building a good strat or tele isn't hard, they were designed for it. So why do they have the Fender logo?
Tis bizarre to me, and makes the vintage guitar market one to avoid.
I can understand that there are some people who would give their left arm for the chance to own and play a vintage instrument, and that this option is the nearest they will ever get, but this nonsense about being able to deliberately reproduce defects on request is bound to lead to people downline later being sold fakes. Who wants an electric guitar with a sloppy neck fit? There's no logical reason that a company would choose to deliberately reproduce ragged routs and tooling marks made by blunt bits when they are hidden under a scratchplate. I think it's really irresponsible, but the company is probably so preoccupied by their quest to give customers a taste of a true vintage that they have conveniently disregarded fraudulent selling in years to come.
I can appreciate the effort and attention to detail that goes into getting the minutiae correct, like the exact same tooling marks and identical drilling positions for cable runs etc. But I don't understand why you'd care about that stuff when buying a musical instrument - I'm assuming these fakes cost very nearly as much as a real old one, and a lot more than a great guitar that is otherwise the same but without these tiny internal details. So why bother?
Side note: I did notice that Cesar Gueikian mentioned the he's fine with refretting vintage guitars in a recent interview. I'm glad because I'd far rather see old stuff getting maintained sensibly in a way that maintains their ability to be used as musical instruments and not just investment pieces. A vintage guitar in a secure vault is no use to anyone.
fender don’t really care about the logos as long as it’s not “Your logo”
One worry, if they are good as suggested, then someone can then buy a completed 'fake' guitar, to now put a 'fake' part, be it body/neck/hardware, onto a 'player grade/non-original' Strat to make this guitar now 'authentic original' and worth more money - Hope that makes sense - Then selling off the other 'fake' parts as 'original' to recover some of their outlay - ie can they use such parts/woodwork to make their existing guitar original again
Can of worms and I'm glad it is not an area I operate in these days - It got scary when you started to realise you do not know enough
As to your point about enginneering. The kind of engineering used in production of items in the valve age is partially lost...
Take microphones, (like with guitar valves) no one has the large scale facilities or know how to precisely recreate niche objects like the vf14 tube in a U47 and so we "cant" create exact copies. Some of this knowledge is also lost to time as a different generation of engineers in analog technology are no longer around. Other examples: neumann nickel capsules in km54's (only gefell attempt these and results are barely identical) and the kind of geniuses that designed the ck12 capsule at AKG.
I am clueless about where to get them, how much they are or if they sell parts. The video popped up into my YouTube and I found it very interesting.
for such a large company like Fender are not out to shut these people down.
"We, as a human race can make the wire, companies who make them don't think they are profitable enough to do so"
It is a massive difference than "We Can't".
I am pretty sure all these engineering are not lost, if it's there we can reverse engineer it, I am sure there are books written on it. To say it's lost means no documentation was ever written and we are too stupid to reverse engineer a valve. Like all of the sudden the people in the 1920's are smarter. As for using the "identical" defence, it's analogue right? is this like claiming no 2 Gibsons are identical and then shocked to find out that no 2 Gibsons are identical?! But uses the same argument to say old Bursts are better....no, it's different. Different does not automatically equates better. The fact that valves are analogue MEANS it will not be identical.
Please. This is so stupid and absurd.
We can clone a mammal, we can make a wire.
As for these slavish copies I just don't get it.. but that's just me. Given that there is a market for this stuff in my view they should use their own logo...
Si
I’ve seen some of his older (2+ years) videos in the past.
Last night I thought that the latest video had a different person presenting on ‘his’ channel. Really sad to see his decline over that short period of time.
@guitars4you
I had a quick Google yesterday & I’m pretty sure it is from: https://precbsguitars.com/ The pictures seem to match what CGS showed on his video.
Maybe Fender don't know about it
There was a luthier in the UK, from NE area - Nigel Crinson - Who made some very fine 'NoCasters' about 20 years ago - First few had Fender logo's, then the same guitar had his name on them - Then he made a minor change to the headstock for differentiation, but a threat to stop letter from Fender UK finished it all - He did not have enough funds to defend any right he might have had - So easier to quit - But his had not gone into the same 'detail' these guys have done some of the details
Are they better ? - Define better - Regarding an exact DNA replica of the real thing then no, but close enough for us to be all excited - Are they better regarding build quality, playability then in many cases yes - Not all old examples are good - Many pre-CBS models are mediocre to play - Tonal wise then I've heard some great old ones, and again I've heard some very par for the course
The plus factor with CS is that with tweaks like 9.5" radius + bigger frets then they are generally more user friendly to play - As it happens, some of the best pre-CBS models I've played have been the non-original player grade examples, whereby appropriate tweaks have made the guitar again more 'user friendly'
CS offer a vintage flavoured guitar at a 'realistic' price compared to an original example, be it kosher or player grade - Plus you can change parts/pick-ups, pots etc without having to worry about any/much impact on the value - Change a knackered pot on an original 62 Strat and you loose money
The important point left out is that there is a LOT of crap, and I mean a LOT of crap guitars made back then and a lot of crap movies made too. What we tend to remember and what tend to stand the test of time are the good ones. And these few good ones gave the impression that all the others from that era are also great.
Which is not true.