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My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
Get a good attenuator.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
I lusted for ages for a SV20, then when I was able to do it, read the above link and decided to go with the SC20 which has Master volume as the SV was going to be too loud for home use….I want to use the amp overdrive/distortion rather than what I did previously, setting the Origin 20 clean and using pedals for drive
Anyroadup, I now have the SC20 and am not really happy with it at low volume, it goes almost tv quiet, but the tone disappears, It goes all trebly and weedy, if Im honest I hate it and preferred the Origin. In an effort to make it work Im waiting for an attenuator to arrive…I may end up using it like I did my Origin 20, clean, with pedals, which sort of defeats the object….
Cranked its glorious…utterly glorious, my neighbour two doors up though so too.
Ill be gutted if it ends up in the classifieds, but it just might, wish Id gone for the SV20 now!
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
Not everyone wants a cranked sound.
The SC20 low input channel was a glorious clean sound at low volume.
The problem here is buyers who have no idea how loud a 5W valve amp can be.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
I disagree. Most of them are marketed as being crankable at home. You could argue that one of the main reasons that buyers don't know how loud a 5 watt valve amp is is that marketers have been lying to them for years.
If you don't want a cranked sound and only want cleans a 100 watter is just as usable at home (and is arguably a better idea!).
Plus marketing/advertising is a bit like a placebo- even when you know it's hokum, it still pretty much works. I know how loud a 5 or 20 watter can be, and when I read the advertising spiel I still have to catch myself and remind myself that it's not going to be any more crankable than anything I already have (i.e. won't be crankable).
Exactly this. I have the Harley Benton and it works brilliantly at home volumes. The amp has a ton of top end which compensates for anything you lose using the attenuator
(Main page)
Classic Marshall reimagined. We’ve shrunk down some of our most famous amps so you can enjoy the iconic Marshall sounds at home or in the studio. With the ability to switch between 20W and 5W without the need for an attenuator, these amps perform well in any environment. The legendary tones of your heroes are at your fingertips - all you need to do is plug in and play.
There’s plenty of reasons why these amps have appeared on countless albums and stages since they were first released. The Studio series repackages the classics in a more portable format, so you can make the most of them in any scenario for many more years to come.
(SV20H page)
Why should touring artists have all the fun? With the SV20H you can harness the formidable tone of the 1959SLP at home or in the studio. Switch between 20W and 5W at the flick of a switch and let the defining sound of the plexi live on.
In true plexi style, the SV20H features four separate guitar inputs, two for each channel. This gives you the ability to choose between the brightness of the high treble channel, the roundness of the normal channel, or blend between the two with a patch cable. Add in the EQ and presence controls and you can take your sound from warm saturated blues to aggressive biting leads. The power reduction feature also makes it versatile enough for studio recording and home practice.
Tame the untameable
Everything you expect from the 1959SLP now available with power reduction technology, letting you shift through the gears from 20W to 5W. It’s also significantly smaller and lighter than it’s 100W counterpart, making travelling and touring a breeze.
(SV20C page)
The power of a Plexi in a new portable style. Now the legendary sound of the 1959SLP is yours for the taking, packaged in a 20W combo that you can enjoy at home or in the studio. It’s got the same vintage tones you know and love, just redesigned for the modern player.
Whether you’re looking for warm blues tones or punchy leads, the SV20C has all the same tonal options as the original 1959SLP. Choose between the high treble and normal channel, or find the perfect blend between the two using a patch cable. While its predecessor was built to get loud, the SV20C is equipped to handle those quieter environments with power reduction to 5W.
Almost everything there is very strongly implying, if not outright saying, that you can get classic cranked-up Marshall tones at home volumes.