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The superbolt and the twin twelve are both voiced quite similarly, with the twin twelve being very dark when the treble isn't dimed, but you can match the tone on one to the other very closely.
The Hudson has a pronounced sparkly high end at certain settings that sets it apart from the rest when using single coils
But on the whole a lot of overdrives sound the same at one setting or another.
Couple of quick questions for anyone still following my ramblings...I am thinking of picking up a Hudson dual footswitch....
First question: Does it sound and will it sound EXACTLY the same as my single footswitch, because I have come to love the sound of it so much.
Second question: Is there much benefit from having a dual footswitch if im just recording and noodling and not playing live?
But I'm excited to try this Broadcast. From what research I did, the dual switch should be capable of precisely the same sounds as the single switch, but the dual more adjustable. At least that was my takeaway from reading lots of Hudson's site and forum posts, and it is why I went dual myself.
Can anyone speak to why one might prefer a Sidecar to a Broadcast, though? Other than the cooler name?
EBay can be a great source of used hear too. I bought and sold a good few Boss pedals this way, but haven't kept many.
And here we have the Keeley Retro Super Phat Mod Germanium overdrive. From overdrive to cranked amp to fuzzy face melting madness. I stumbled across it after looking at various blues driver shootout videos...
So the nuts and bolts, or the meat and potatoes of this thing......it's a modified blues driver with a germanium transistor gain stage and another gain stage which isn't specified as to what it actually is, maybe a JFET?
Anyway, it basically lives in PHAT mode because why not? Flat mode is cool for a humbucking lead sound but phat mode is where its at.
Tone control is usable throughout the whole range pretty much, it doesn't get too dark all the way down and it sparkles when dimed (just gotta keep the nitro in check!)
Level is bets kept pretty low as there's plenty of boost on tap.
The nitro is very interactive with the guitar volume and you really need to work both together, while it is quite touch responsive, I am pretty heavy handed and find that working the guitar volume and having the nitro set to noon or a little above gives me the best results otherwise it doesn't really do low-mid gain.
I have nothing to compare this to but it sounds amazing when stacked with the fredric accomplished badger and the hudson broadcast.
I now would like to try out some other blues driver pedals and still have my eye on the original keeley super phat and the fredric blue monarch.
I currently have -
Demiurge ODR clone
Demiurge Benson preamp and Timmy clone
Cornerstone Antiquity Mk1 (TS style)
Digitech Bad Monkey
Ceriatone Horsebreaker (Klon and BB dual pedal)
Tone City Durple ( cheap and underrated)
Hello Sailor Kossoff Drive
Moondriver (RAT style)
FLB 1991
+ way too many fuzzes.
Would recommend checking out the Funny Little Boxes 1991. It has 2 OD pots which can be stacked.
JHS Superbolt
JHS Twin Twelve
Frederic Accomplished Badger
Hudson Broascast
lumpy's tone shop class A overdrive
Ramble FX twin bender
I ended up selling the keeley retro super phat and I bought a chase bliss brothers a few weeks ago and now im pretty much done for overdrives