It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
”He chose…poorly”
D'addarios seem to oxidise more quickly for me. So much so that all my guitars are strung with Rotos now and just about to order some more.
I had some rusty EB's fresh out of the pack so I'll never use them again.
I've used D'Addario 10-52 on my Gretsch of late but they seem to die much faster than the Rotosounds - getting clonky and dull after one or at the most two rehearsals. So I will probably swap to the Roto Blues I have on my Les Paul that have been going ages!
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
One thing about rotosound, is I can't remember the last time I broke a string. Like, it might be a decade. They include a spare high E string in all their packs and I have SO MANY of them in a box somewhere 'just in case'
Some of my favourite artists are Rotosound endorsees, I see comments like Ash's above where people swear by them and have used them for years, I have loads of random sets from every time I pick up a set of Bare Knuckles... and yet whenever I've gone "go on then, I'll give them a go", I've been disappointed. I even had a set so dull and papery I thought there was something wrong with the guitar before I put my usual D'addarios back on it.
I keep the sets I've got as spares just in case. Perhaps I've been unlucky, perhaps one person's dull is another person's warm, one person's bright and sparkly is another person's harsh.
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie