Which, in your opinion, is the worst looking headstock?

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  • octatonicoctatonic Frets: 33984
    No contest:

    Zachary Guitars:

    image
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  • meltedbuzzboxmeltedbuzzbox Frets: 10340
    G&L as well
    The Bigsby was the first successful design of what is now called a whammy bar or tremolo arm, although vibrato is the technically correct term for the musical effect it produces. In standard usage, tremolo is a rapid fluctuation of the volume of a note, while vibrato is a fluctuation in pitch. The origin of this nonstandard usage of the term by electric guitarists is attributed to Leo Fender, who also used the term “vibrato” to refer to what is really a tremolo effect.
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  • stonevibestonevibe Frets: 7212
    Gibson one, as its super boring.

    Dean ones the split thing on Dimebag's signature, looks like an ex girlfriend of mine, pretty sure she'll need a Y -shaped coffin...
    Guitar Bomb & Nembrini Audio Summer Giveaway 
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  • ICBMICBM Frets: 73077
    Rocker said:
    Never really cared for the Parker Fly headstock.
    Agreed. It also has a massive practical design fault, which is that you can't put it on a guitar hanger without usually breaking the top E string.

    Admittedly some of the others are a bit difficult to hang as well, although usually they don't snap a string if you're forgetful enough to try.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • BellycasterBellycaster Frets: 5883
    That in the O.P is horrid.

    Tyler agreed on that and Burns Signature Marvin is just grotesque.


    Only a Fool Would Say That.
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  • WezVWezV Frets: 16967
    octatonic;656061" said:
    No contest:

    Zachary Guitars:
    It wins for the backward tuners,

    But the Nathan shephard ones were always fairly awful to me, even though his 3 a side makes a lot of practical sense

    But who am I to talk, my least favourite builds are the ones with bad headstocks, i have been guilty of making it an afterthought

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  • RMJRMJ Frets: 1274
    Epiphone. Why have they not changed it?!?!?!
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  • ICBMICBM Frets: 73077
    WezV said:
    octatonic said:
    Zachary Guitars:
    It wins for the backward tuners

    I quite like the way he's been thoughtful enough to reverse the tuners that are strung backwards so at least they turn the right way, and managed it without the spacing looking really off, even though it does a bit. I think it's quite a nice modern minimalist design actually - it reminds me of some Japanese traditional instruments too.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • WezVWezV Frets: 16967
    But the string tension will be pulling the gears apart, not together like normal tuner alignment.

    Its not an issue for some solid post tuners, but its still an issue for 95% of tuners on the market.
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  • guitarfishbayguitarfishbay Frets: 7966
    octatonic;656061" said:
    No contest:

    Zachary Guitars:
    That wins.

    PRS is one of my favourites. It does look a bit like a chip fork but it suits the guitars IMO.
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  • John_PJohn_P Frets: 2756
    The Epiphone head just looks wrong on Les Paul's and SG's.   If they sorted it for an open book gibson style they would sell a lot more imo.
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  • thermionicthermionic Frets: 9779
    I don't mind the Epiphone headstock on my Les Paul. Looks even better on Customs, with the binding.

    The big paddle on my Dot though, was a large factor in me selling it. The Sheraton would be fine if it was a little smaller.
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  • DiscoStuDiscoStu Frets: 5604
    BC Rich 'widow' headstock. I don't mind the 80s pointy one and the 70s classic 3-a-side 'R' one is lovely but the widow? Hideous.
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  • ICBMICBM Frets: 73077
    WezV said:

    But the string tension will be pulling the gears apart, not together like normal tuner alignment.

    Its not an issue for some solid post tuners, but its still an issue for 95% of tuners on the market.
    There's no difference, the pinion teeth just press against the opposite faces of the worm gear thread. All that happens is that the key shaft is pushed outwards instead of inwards, but it's got a stop that way too.

    I don't know of any machinehead which would be damaged or even not work properly like that, although I'm not totally sure about those planetary gear banjo ones.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • Can't stand Suhr's.
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  • WezVWezV Frets: 16967
    ICBM;656144" said:
    [quote=WezV]
    But the string tension will be pulling the gears apart, not together like normal tuner alignment.

    Its not an issue for some solid post tuners, but its still an issue for 95% of tuners on the market.
    There's no difference, the pinion teeth just press against the opposite faces of the worm gear thread. All that happens is that the key shaft is pushed outwards instead of inwards, but it's got a stop that way too.

    I don't know of any machinehead which would be damaged or even not work properly like that, although I'm not totally sure about those planetary gear banjo ones.[/quote]

    Not convinced.

    Seen too many guitars with play in the tuner post, even when mounted, to think this has no role to play in the gear lifespan and subsequent tuning stability
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  • ICBMICBM Frets: 73077
    It's probably not a good idea to *reverse* the loading after the gears have bedded in, because that will double the existing wear, but there really is no difference if you use them consistently the same way from new.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • WezVWezV Frets: 16967
    Hmm, only if you assume solid post or perfect mounting.... Solid post does exist on some modern tuners, perfect mounting rarely does on any tuners.

    If you can even slightly wiggle a tuner post before stringing, and you normally can on a lot of guitars, then tuner direction is important.

    Once strung that wiggle is either gears being pulled together or gears being pulled apart on the other side of the headstock.
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  • ICBMICBM Frets: 73077
    No, I'm not assuming a solid shaft or perfect mounting! The gears are not being pulled together or apart, it's just that the pinion pushes in the opposite direction against the worm gear. No other difference. The gear doesn't "know" which direction it's being turned in.

    Look at some open frame tuners and twist the post in both directions with your fingers and watch what happens.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • Philly_QPhilly_Q Frets: 23687
    edited June 2015
    I like the Tyler, I love big Strat headstocks (and small ones), I love the PRS (except the Santana which is hideous).  Ibanez is very elegant although I don't like the guitars.

    G&L is ugly.  I'm not very keen on Heritage.

    But for the worst, I have to agree with those saying Epiphone.  It's just wrong.  And it has a three-screw trussrod cover which I find particularly repellent.  It's probably the only headstock which would actually put me off buying a guitar even if everything else about it was great.

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