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Difficult to see in the shot here, but actually there are definite darker areas in the grain. I re-sanded those areas just in case but they are definitely in the wood.
I then did a tru-oil slurry to act effectively as the sanding sealer. And yes - the same patterns in the same places. I've darkened the shot a little which exaggerates the effect a little :
So my conclusion is that the funny markings was nothing to do with the egg white in terms of fast-ness or moisture but is simply a quirk of the grain of the wood.
It will be interesting when I get to the re-varnishing if it shows up the same way. I'm pleased the egg white still ticks the boxes, but I'm also pleased for the peace of mind in doing it again with my normal method![:) :)](/plugins/EmojiExtender/emoji/fb/1.gif)
It was a dry day all day (again!) so I abandoned the household chores and finished off the neck volute and heel sanding. The profile will be fine tuned when the guitar has been fully assembled.
Thanks, @paulnb57 I agree, but also happy to say that the re-run of the top, that now has had two finish coats, is MUCH better. I'm hoping two more coats (maybe even one) will do it
:-O
You have a fair few extra 'Wows'....