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This approach was to maximise overdubs on separate tracks rather than create a proper stereo mix.
Years later it became more the norm to record the drums, bass, guitars / keys panned in stereo across tracks 1 & 2 which left 3 and 4 available for vocals and solos and created a true stereo record.
it's stunning IMHO
I've been really impressed with the remixes so far- nothing really drastically changed, it's just like coming back in to a room you know and finding that someone has cleaned and dusted and put things back just differently enough that you notice everything again.
Only when you write that down it sounds sort of creepy and invasive. Imagine the cleaning done by someone you love and trust.
Don't talk politics and don't throw stones. Your royal highnesses.
The huge White Album CD and vinyl book thing was absolutely fantastic though. I must get it out again.
The only thing I'll say is that for me, nothing quite captures the sheer punch on Paperback Writer in Mono- Ringo kicking on the bass drum a beat before the riff starts. Compressed as hell and hitting the listener like a good one-two.