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Comments
I agree with @Roland
The factory presets were created some time back, on firmware which has been updated several times (including complete re-designs of amp, effects and cab components), which is why some probably don’t sound as good as perhaps they did originally.
But I think people perhaps judge modellers unfairly in this regard: when you buy a valve amp, does it come with hundreds of pro-designed presets? Do you complain that the knobs arrived all set in the wrong places? No, you expect to have to use your ears and DIY for what you want. There might well be a ‘suggested settings’ sheet supplied, but that’s surely accepted as a starting-point, just as presets on a modeller should be.
Presets produced by anyone (celeb, pro or amateur) are always going to sound different through your headphones / studio monitors / PA and with your own guitar / pickups / cabling and above all, playing style. You might be lucky and hit on one that works perfectly, but most will need adjusting for your purposes, no matter how skilled the player who made them. For example, that tonal space that Guthrie has to fit into with his gig might be totally different to the one you need to fit into with yours. Does that make his preset ‘poor’ just because it doesn’t work for you and your situation / band / setup?
I use other people’s presets mainly to assess and learn from their design, routing and control choices, then tweak actual tones for myself.
I regularly download Leon and Burgs’ presets to name but two, and they ALWAYS sound different with me playing them to how they do on their videos.
If the comments are to be believed then it's a night and day improvement.....
Good ol' Cult of Cliff.
https://forum.fractalaudio.com/threads/new-fractal-product-coming.207160/
Agreed
My comment was a little tongue in check for that very reason.
My FM9 shut down twice during our last gig, thankfully it was down to a dodgy power cable, but I really should have a contingency for that day if/when my board does die or drowns under a pint of Stella.
I certainly agree with Roland in that making notes during rehearsals makes a lot of sense. A lot will depend upon what style you are playing and most importantly, what everyone else is playing when you need the level change. Some of my level changes are quite significant, + 6dB on Scene Level increase for a solo played where the amp itself doesn’t change but a drive pedal is kicked in, but that’s just on one song. The same approach on others wouldn’t work - I’d be way too loud.