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The TU-2 is a *stage* tuner! It's *purposely* less accurate in order to make it quicker and less fussy to use on stage. (OK, it's true that they've now improved the way they work so the TU-3 can be +/- 1 cent and still track quickly.)
I wouldn't use the TU-2 to set intonation any more than I would use my PA amp to record a vocal track. That's not what it's for.
For what it's worth I use a tuning fork and one string referencing another to set intonation.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Cool, good to know, thanks.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
OK. Splitting hairs. Accuracy and precision. The TU2 is a tuner that was not precise enough to use to do intonation. The ST200 is and its way more accurate as well, though as regards absolutes I'm not sure as I have no means to nor interest in checking its calibration. Its also a better tuner than a TU-2 for stage use.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I looked at a Polytune when I was shopping around, but as I mainly play a 12 string I doubt the open strum thing would work. And with two strings per course tweaking on stage for that last fraction of a cent would risk my singer talking to the audience.