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I'm a massive Crimson fan and approached this with trepidation. It is simply brilliant. The band seems like a bunch of very determined individuals who have problems with each other but still manage to produce Crimson's challenging music.
Fascinating interviews with everyone cover a lot of ground and make you wonder how they can still keep doing it.
Brilliant but I'm a massive fan. Probably awful if you're not.
I watched Moonage Daydream and that did nothing for me. Bowie fans seem to love it so it is definitely horses for courses.
10/10 for fans as long as you aren't expecting a lot of music.
4/10 for non fans for the way it shows how a great band (IMHO) may not be the place to work.
Drama about a domestic servant in the aftermath of WWI, with a couple of families coming to terms (or not) with losing their sons in the war.
Yes, there is a huge amount of nudity, but after a short while it's actually not intrusive despite the main character (Odessa Young) spending about half the film naked. Interestingly the film was both written and directed by women. Aside from that...
It's beautifully directed and shot, and although slow the way it jumps around in time means you have to pay attention, and of course there's a twist in the tale. (Although not the one I was expecting.) The acting is absolutely top-notch too - Firth and Colman only have fairly minor parts, but they're absolutely outstanding, a masterclass in subtlety and emotion.
So if you like slow, arty emotional drama and aren't easily put off by - to be honest, largely unnecessary! - nudity, then I would recommend it .
8/10
(Netflix)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Excellent acting holds it all together, gratuitous ick in places. Interesting metaphor for the internal world of relationship breakdowns. Adorable donkey. Almost as good as 3 billboards.
Crimes of the future 4/10
Dated feeling. Artistically reaching but despite 2 leads leads adding gravitas (and an unspeakably bad Kristen Stewart character) it's ultimately a silly B movie.
Zootropolis 9/10
Sharp script, brilliant visuals, fun.
The Batman 6.5/10
Does what you expect from a modern thriller but loses out on undeveloped psychological tension and character involvement.
The worst person in the world 7.5/10
Well acted and scripted Norwegian coming of age story.
Memoria 7/10
Slow slow slow, some affecting scenes. Swinton has been better in other movies but still good. Recommended if you have much patience and a taste for otherworldliness.
But we just watched Glass Onion (Netflix). Witty, fast-paced and featuring Elon Musk (not really, but clearly - despite the director's panic back-tracking). I like that Daniel Craig is getting even more camp than in Knives Out, and the cameos were fun. The big explanation towards the end was far too long, though, and it needed a better twist than the sign-posted ending. But 7/10
We watched ''Stranger'' (2022 - Netflix) Two men who meet on a bus and strike up a conversation that turns into friendship. For Henry Teague, worn down by a lifetime of physical labour and crime, this is a dream come true.
Based on true story, and a book by Kate Kyriacou - about the abduction and murder of 13yo boy in Australia.
Good thriller and well acted - Starring Joel Edgerton and Sean Harris.
Strong 7.125/10
Delightful French timeslip story. Short but so perfect.
10/10
Dreadful.
Matilda (2022) - Netflix, sort of
Worse.
Very odd English folk horror with Jessie Buckley and Rory Kinnear.
Both unsettling and silly in equal measure!
Just about anything with Jessie Buckley is great. E.g. Wild Rose is a fab film.
Still a classic.
Without doubt the biggest pile of absolute dog shit I've ever had the misfortune to watch.
Just beyond awful.
Offset "(Emp) - a little heavy on the hyperbole."
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
Tonight, we watched Solo. A far, far better film than the prequels. Baffled by its flop status. I think if it were released now as a Disney+ series rather than back then as a cinema movie, it would fare much better.
I'm also one of those people who liked Glass Onion a lot.
And In the Court of the Crimson King was great, I thought (we watched the live stream, and my wife got the blu-ray boxed set, which includes live performances and out-takes). Not one of yer typical BBC4 Friday evening documentaries, but all the better for that. Robert being spiky, Adrian being annoyed, Bill B being sardonic, lots of testimony to the difficulty of being in King Crimson and a rather moving section devoted to Bill Rieflin. And there's a very long pause which is Robert quoting a very long pause by someone else, which isn't something I've seen before.
Home Alone
Home Alone 2: Lost in New York
I'd never seen them before, although of course I had some idea what they were about... I wasn't really expecting the odd mix of two-thirds mild, sentimental family comedy to one-third cartoon violence. I enjoyed the cartoon violence because I'm a sicko, but it really is kind of shocking at times (Disney+ rates both films for ages 6+!). The second film takes everything from the original and turns it up to eleven, but they both work, just about.
I'm well convinced movies only do as well at the box office as the quality of the one before. e.g. Matrix 2 did 750m despite being rubbish. Matrix 3 did 425m because Matrix 2 was shit. Same for the various ups and downs of the X-Men series.
TFA did 2.0bn, Rogue One made 1.0bn then TLJ did 1.3bn (because TFA was ok but not spectacular), Solo did 400m, and TROS got 1.0bn, which is the lowest of the trilogy but more than Solo because I guess people were invested in seeing the end of the story.