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But the value proposition might be different for SGs... I came across a video by @JohnCordy the other day that echoes my gut feel: given how close the prices are, it's a much less clear-cut answer than for an LP or 335...
I’ve not played a MIJ that came close to my Special in terms of sound. A good SG isn’t just about the snarly shouty barky thing they do - there’s a *lot* of harmonic content. I’ve not heard that on a copy.
Mine’s a made-in-2000 Gothic, refinished by Rich Rendall. Original black hardware all replaced with chrome, original pickups changed to Mojo P90s.
https://i.imgur.com/w3C78tW.jpg
https://i.imgur.com/pK3d1JN.jpg
https://i.imgur.com/OdhjHxY.jpg
*drool*
If you didn't like them, why did you buy at least two?
But I've never managed to find one I really like, except perhaps my SG-X and the Pete Townshend SG Special (I stupidly sold the latter). One of the Tokais is pretty good too, to be fair.
As for the two SGs in question, I actually bought them both at around the same time, both eBay purchases from the USA which happened to appear when I had SG GAS. One's an early Robot SG (2007), in metallic green with an ebony board - it looks great although I hate the robot tuners. The other's a 50th Anniversary (2011) SG Standard 24 - like a Standard but with two extra frets. Again, it looks cool, all black and the body is super-pointy and contoured.
So far so good, but whenever I pick them up I just find them uninspiring. The necks don't feel great - too thin, although they're meant to be "rounded" - and they both sound thin, plinky.... I wonder if the green one might be OK if I ditched all the robot hardware and electronics, but it might make little difference.
I'm sure there's a great SG for me out there somewhere, but I haven't found it yet.
(I hope nobody remembers this post if I ever try to sell them in the classifieds....)
Re this thread in general btw.. I tend to start out loving such threads with loads of cracker looking pictures of SGs, but then I start to go into buyer 'shortlisting mode', and starting to scrutinise all of the microscopic differences in features - and in particular the subtle variations in body carves - and end up convincing myself I need to start hunting for The One again.
Every bl00dy time. Damn yis
The Standard 24 really does have a nice body carve, more contouring and more pointiness in the horns than most. But it does have the modern style of neck joint, which is probably sturdier although they use the early-'60s joint on Custom Shop models. It also has a Nashville bridge, ABR-1 would look (and possibly sound) better I think.
At the risk - nay certainty - of lowering the tone of this great thread, I felt the urge to post my budget 2001 ebony 'Vintage' SG project beside a real one, to see how close the carves are..
The horns on the original are better - much pointier, down to the larger scallop taken out of the cutaway.
(10 mins with a spoke-shaver, some black touchup paint and you'd be almost there, I'd say.. )
Carry on.