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Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
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Basically he has to distribute 6 strings evenly across 7 saddles. So he keeps the 1st and 6th on saddles 1 and 7, in the original notches. Then he progressively shifts the positions of strings 2 and 3, and 5 and 4, inwards towards the centre, so the strings are almost evenly distributed. I guess the spacing is a little larger between strings 3 and 4, but maybe not. You'd need to ask for measurements or get your hands on one. Then he files new notches into the saddles and files away the unrequired metal from the original centre notch to the edge of the saddles 2,3,5 and 6, so that the string can never be restrung onto the original, obsolete notch. Granted the middle two strings have to sit very close indeed to the edges of saddles 3 and 5, but provided the new notch is deep enough, like the originals, I'm not sure the string is likely to come out of it, in the same way that strings don't typically leap out of their notches even when you strum hard, on a conventional saddle. That would need testing to convince oneself. Yes the string is bent at that point, by I guess 10 degrees for the middle strings, but they're already bent by a few degrees vertically over a saddle normally, and a string doesn't mind which way it's bent. And anyway, the strings are bent away from that perilous edge, not towards it. On some guitars, strings are bent at the nut end too. And strings don't break at the nut when you pitch bend up to a tone or minor 3rd near the nut at 2nd or 3rd fret, and I'm not sure that's any less strain than the permanent bend at the bridge. I often bend up a tone on the G string at 2nd fret and I've never broken a string at the nut, only ever at the bridge of my floyds. Strings also don't tend to jump out of their nut grooves (even at half a string diameter), despite heavy pitch bending at the nut. And then obviously the middle saddle isn't required so he removes it. Other than manufacturing a completely new bridge,
I think it's a cheap innovative idea for getting 6 strings as evenly spaced as possible over a 7-string saddle. I'm not commenting on the workmanship, and I'm certainly not saying it's a problem that needed solving in the first place - I've seen many a sausage-fingered violinist play 1/4 and 1/2 size violins with no problem - but what I'm saying is it's a potential solution to the challenge of stringing 6 strings on a 7-string bridge. Obviously he's come up with the idea, done some guitars and has stuck with it as a solution that seems to work for him, and the real question is, is it reliable? Or do the strings sometimes come out? You'd have to ask him or try one yourselves. Obviously you can comment on how it looks, and whether the whole concept of wide necks is good, but that bridge might actually work!
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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Annie is definitely not ok folks
All of us have seen our fair share of ridiculous shite. But those nuts are well out there. And as far as I can tell, professional set up, and that picture and the trades descriptions act have very little in common with each other. In fact anybody with more than 6 months of playing behind them who honestly thought that sort of modding was a good idea would probably be making some severe infringements of the mental health act.
Seriously, it is fucking awful. Just stop FFS....