It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I preferred to just switch off
Apparently Hereditary is alright too. That's on the list.
In the Shadow of the Moon
Another Netflix film, directed by Jim Mickle whose previous films I've enjoyed. It starts out really well but gets smaller in scope and less interesting as it goes on. There's a time travel angle (that's not too much of a spoiler) but it's used very unimaginatively. Disappointing.
I couldn't help thinking that if it was intended for cinema release, rather than a watch-anything Netflix audience, they'd have been forced to do some editing and re-writing to get it off the ground.
The Plagues of Breslau
A police detective investigates a series of bizarre murders based on (real?) historical events in this Polish attempt at a Se7en-style horror-thriller. To begin with it seemed like everyone was trying to out-overact everyone else, but the film has some good moments and a twist which surprised me, although it comes quite early in the film. Not bad.
Made for TV thriller from about 20 years ago with Stellan Skarsgard. Pretty slow and pedestrian.
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
David Lynch’s classic with Anthony Hopkins and John Hurt. Still quite shocking, emotive and very well made - the use of black and white makes it much more powerful than it would have been in colour, I think. Hopkins is more understated than he can often be, and Hurt’s performance is astonishing given that he’s really barely visible. The supporting cast are all brilliant too, especially Michael Elphick.
Unfortunately, there’s one thing that stops it being perfect. Although the story is reasonably accurate, Merrick’s name was actually Joseph, not John - it does grate slightly throughout the film when you know that. The mistake goes back to Treves’ book originally, but that was known when the film was made.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
David Spade is an ageing singleton who finds himself on a first blind date with quirky Lauren Lapkus as Missy who is a few sandwiches short of a full picnic.
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
George Clooney plays some kind of assassin who, after a failed hit on his life at the beginning of the film, goes to Italy for a new job and ends up falling for a call girl.
It's a very weird film. Nothing really happens, it's very slow and there's no action or tension to speak off. The photography is pretty good and it seems quite artfully shot. Despite it not being particularly exciting and having little dialogue I found it quite likeable.
Can't really give it a score cos it was boring as but still quite alright.
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
I've so far managed to avoid most of the MCU but as we now have Disney + I thought I'd give 'em a go. Watching in MCU Chronological order...so I've got through Captain America - Captain Marvel - Iron Man - (no Hulk on Disney) - Iron Man 2. Thor planned for tonight.
I'm liking the growing connections between them all, thought long and hard about the watch order but this seems to be working OK. Long road ahead though, and they all seem to basically end up with a big CGI fight, which may become tiresome. Still a fun way to pass an evening on the sofa.
In a complete U-turn last night we watched Ladybird on Netflix. Coming of age drama set in the early 2000s. Mark Kermode showed clips from it in his "Secrets of Cinema" series and it looked interesting. Standard story of high school life, teenage first love, battling with parents etc, but it's done really well and avoids a lot of the cliches that this tale usually falls right into. Great performances, some brilliant quick one liners, and overall really captivating. Recommended for sure.
*An Official Foo-Approved guitarist since Sept 2023.
Light hearted rom-com from Adam Sandler and once again featuring Drew Barrymore.
Both play single parents struggling to raise kids on their own as well as holding down jobs etc. They go on a blind date but both conclude there's nothing there. Sandler's boss was due to go on a blended family African safari with the work colleague of Barrymore (unknown to both of them at the time) but when it falls through they both persuade their work colleagues to let them take their place on the holiday.
Once at the hotel in Africa they both meet again and are, predictably so, not exactly pleased to see one another. Equally as predictable, as the movie unfolds they become more and more fond of each other's company until the inevitable happens towards the end, but not without the standard hiccup which throws doubt into the mix in the last 15 minutes.
The charm was still there but not in the same way as 50 First Dates, which seems to be a natural comparison, although Drew Barrymore seems to have got better with age. I think Adam Sandler is a bit burned out with this kind of thing now - he's done it all and while it's not as ridiculous or crass as some of his other films it just seems to have all the hallmarks of doing it because it can be done rather than that it's a good concept in it's own right.
It was a bit slow starting - setting the story up for them both being on safari in Africa was convoluted and took a bit of effort to watch so the first part was by far the most painful part of the movie where the viewer is left wondering where all the chemistry has gone and why the story feels a bit strained.
After about 1/3 of the way in it loosens up a bit and does capture a bit of the spark of some of Sandler's older movies.
It's not rubbish but I felt a little disappointed all the same.
6.5/10
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
I Remember You sounds interesting, I'll try to find it somewhere.