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No argument from me on that one.
Going back to Mike Flanagan, I really liked his first film Absentia. It's very low budget and I'm not going to say it's the most amazing thing ever, but the atmosphere is really effective.
Tonight I finally watched something on Netflix I really liked:
Extra Ordinary
An Irish driving instructor with a talent for speaking with ghosts takes on a one-hit-wonder pop star who is trying to resurrect his career by sacrificing a virgin on the night of the blood moon... its hard to describe the style of this, it reminded me a bit of Mindhorn, a bit of the New Zealand comedy horror Housebound. There are several laugh out loud moments but mostly it's just consistently amusing and likeable.
Have you seen Oculus? I presume you have. A really interesting riff on a haunted house film, one set piece and a low budget, I reckon Mike Flanagan's a really talented editor.
I remember hearing an interview with the director of It Follows - actually it might have been a London Film Festival Q&A - and he said he was trying to avoid setting it in any particular timeframe. For example one of the girls has a mobile phone shaped like a seashell, which doesn't exist in the real world! But yes, it does feel a bit 80s.
I have seen Oculus and I mostly liked it but felt a bit let down by the ending - I can't explain why because I can't remember the details, I just have the impression of how I felt about it! Deathgasm was pretty good, the only problem is that films featuring (fictional) metal bands always feel just a bit phoney... Black Sheep's another not-bad NZ comedy horror, Housebound I loved to bits.
Todd & the Book of Pure Evil sounds great, I shall add to my watch list today.
Really quite dark, well scripted and cast. Can flip between great humour and depravity very quick.
I’m so bored I might as well be listening to Pink Floyd
Agreed. Fallen Idol more my thing than Odd Man Out but both excellent. Another Graham Greene story of course. As you probably know he was a film critic as well as novelist.
Another much-talked-about film that I'd never actually seen...
James Fox and Mick Jagger (and Anita Pallenberg) in a gangster story involving sex, violence, drugs and slightly gender-bending role-reversal... *very* controversial in its day - so much so that its release was apparently delayed by a couple of years, until 1970 - but now recognised as a groundbreaking and hugely influential film.
It's very dark, brutal in places and surreal in others, and actually surprising that it was made at all in the late 1960s - but with some stunning imagery and performances, and utterly compelling and brilliant. Jagger is at least as good as Fox, which I wasn't expecting - he sort-of plays himself, but exaggerated and to perfection. (Hopefully without being a spoiler) the ending is surprising and odd, and makes you question exactly what you've seen - which is one of Nicholas Roeg's trademarks.
If you haven't seen it, don't wait as long as I did.
10/10
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Not the oddest movie I've seen but not far off. If you mix up Samuel Beckett, Luis Bunuel and Ingmar Bergman you might be close.
If Wes Anderson was English and had to make a movie on a BBC budget then this is the sort of thing he would come up with.