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*An Official Foo-Approved guitarist since Sept 2023.
*An Official Foo-Approved guitarist since Sept 2023.
This feels like a very typical Stephen King effort - a pretty small story told by a veteran spinner of yarns and stretched out to its absolute limit. Nothing surprising happens and it ends up exactly where you'd expect. Thomas Jane overacts wildly and talks in a very silly voice, but looks suitably haunted. It's totally forgettable but nevertheless quite well done.
Rattlesnake
When her young daughter is bitten by a rattlesnake, a woman is told (by a supernatural visitor) that she can only save the child by taking another person's soul, before sunset.... The film is only 85 minutes long and the main part of the story is supposed to take place over just seven hours - and yet it manages to be incredibly plodding and dull. Like an episode of Tales from the Darkside, dragged out to feature length.
It was only at the end of Rattlesnake that I found out it's directed by Zak Hilditch, the same bloke who directed 1922 which I'd watched the night before. Odd coincidence. I won't be going out of my way to see the rest of his work.
[ pause for Dominic Cummings joke ]
Crisp isn’t the most sympathetic character other than by virtue of being more sympathetic than most of those around him but it’s full of clever one liners and a classic film and a slice of social history. Crisp appears as himself at the start and the transition between him and Hurt is quite seamless.
One weird thing about watching The Naked Civil Servant again is that the Polish character in Killing Eve seems to be based on the Polish character in this, although may be coincidence or just a stereotype of Polish men.
Glenn Close / Tom Hanks etc.
All about whether to to publish a Top Secret report into the Vietnam war and the efforts of the White House to suppress it.
Based on the "Pentagon Papers" scandal in 1971.
Very good. Excellent performances all round. From what little I know of the original scandal (overshadowed as it was by Watergate) nothing seems to be overblown just for the sake of drama.
Is it as good as "All the President's Men"? Nope - but in the genre of investigative journo films what is as good?! The Post is still a very good film though, just not quite at that level.
8/10
I’m so bored I might as well be listening to Pink Floyd
Much better than I expected. It was the only Marvel film I had'nt seen and only watched it for completion of the Marvel saga.
Doesn't take itself too seriously and genuinely funny in parts.
At first I thought this was going be right up my street. Intelligent, old school, narrative film-making. A theme that resonates more than ever (newspapers telling truths that government is trying to suppress). Fantastic cast. But somehow it was just too heavy handed and unfocused to deliver on its promise. The main characters were too driven by honour and noble intentions for it not to feel like a spruced up version of the truth. Plus there was a tacked-on feminist message that felt clumsy and forced. If you want to make a point about life sometimes being tougher for women, the case of an ultra wealthy socialite who didn’t come into her full inheritance until her husband died may not be the best example of pernicious inequality. And the suggestion that her getting one major decision right after much dithering somehow invalidated her father’s belief that her husband had been better qualified to run the newspaper (or that his decision could only have been made on the basis of sexist prejudice) was just silly.
All the same in an era of superhero franchises just about recommendable as thought provoking entertainment. 7/10
This suffered from the same faults as most biopics: although the story told may be consistent with known facts there’s barely a scene or a line of dialogue that makes you think “yes, that’s what it would have been like if I’d been there”. It’s arguably warts and all - it doesn’t hide from the facts that Charles was a junky who treated women, his family and sometimes the people who worked with him abominably. Yet it still feels glossy and fake.
Jamie Foxx got the Oscar for this and I find it hard to judge if it was merited. It’s basically an attempt at an accurate impersonation of a real person: to me he seemed more convincing as Ray the performer than Ray the private person, but I haven’t seen much evidence of what Charles was actually like offstage and I might think differently if I had.
its also IMO overlong. But for all its failings it’s a fascinating story, more or less based on truth in its essentials, it works quite well as soap opera and of course the music is fantastic. 7.5/10
@earwighoney I've only just got into the world of Netflix, Amazon Prime etc (thanks, lockdown!) and so far I'm only watching films, not series (or box sets, as I believe they're known by the young folks...). I was dimly aware of the Creepshow series, thanks for mentioning it, I'll look into it!
I've got to say, I've been pretty unimpressed by most of the Netflix Original movies I've seen so far. It feels like they know people will watch them, they don't have to "sell" individual films as such, so they don't try very hard to make them any good...
Willem Dafoe does his best Captain Birdseye impression and plays a blinder. Pattinson does very well playing his fed up understudy who goes a bit mad to say the least. Awesome visuals and if I hadn’t seen November a week or so ago (also on Prime) I’d say it was the most visually pleasing movie I’ve seen in ages. Had to have subtitles on mind you. The grave digging scene looked like something I’d be hard pressed to get involved in. Something I will most probably watch again.