This is one talented & versatile player!

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VoxmanVoxman Frets: 4959
edited December 2016 in Guitar
All I can say is, wow - it's not just the tone, fluidity and notes, it's all the nuances & inflections!  (but perhaps I'm too easily impressed following feedback here!)


I started out with nothing..... but I've still got most of it left (Seasick Steve)
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Comments

  • Very long fingers too!!!
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  • Very kind of you.

    tbf, I've cut my nails now....
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  • proggyproggy Frets: 5835

    Impressive.

    Did that red strat have scalloped frets?

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  • VoxmanVoxman Frets: 4959
    edited December 2016
    proggy said:

    Impressive.

    Did that red strat have scalloped frets?

    Yes, I believe it did. I've tried a scalloped Strat - felt really weird because the note sounds with a very light touch without actually having to push down to the finger board- and my brain just kept telling me 'that's so wrong', but probably takes some getting used to.  Being an oldie I'll stick with non-scalloped I think. 
    I started out with nothing..... but I've still got most of it left (Seasick Steve)
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  • proggyproggy Frets: 5835

    Funny you should say that. I get the same feeling when I play my OM size acoustic because of the huge jumbo frets on it. The strings just seem to be to far away from the board, and I can't really get used to it.

    Could I get them filed down do you think?

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  • VoxmanVoxman Frets: 4959
    proggy said:

    Funny you should say that. I get the same feeling when I play my OM size acoustic because of the huge jumbo frets on it. The strings just seem to be to far away from the board, and I can't really get used to it.

    Could I get them filed down do you think?

    Definitely - but you'll likely want to lower the action too which will need the bridge to be lowered and the guitar set-up correctly.  It may even be that with a proper set-up and lowering of the action, you may not even need to have the frets filed down.    
    I started out with nothing..... but I've still got most of it left (Seasick Steve)
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  • mixolydmixolyd Frets: 826
    He got a bunch of notes wrong in that stairway solo and plays it without any of the physical tension it needs. 4/10.
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  • VoxmanVoxman Frets: 4959
    edited December 2016
    mixolyd said:
    He got a bunch of notes wrong in that stairway solo and plays it without any of the physical tension it needs. 4/10.
    Well, it sounded pretty darned good to me!  If you can play that better mixolyd I'd love to hear you mate - honestly! 
    I started out with nothing..... but I've still got most of it left (Seasick Steve)
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  • Voxman said:

      If you can play that better mixolyd I'd love to hear you mate - honestly! 
    If this was QI, you would be Alan Davies and the alarm would be sounding right now, with the screens flashing up the words "Can't criticise unless you can do better"

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  • LewyLewy Frets: 4498
    Im not asking this to criticise the guy in the vid, but to see if there's something going on with my ear....is he out of tune quite a bit in that video? Because he sounds it quite a bit to me and I'm wondering if it's because I've exclusively used sweetened tuning a for the last couple of years....???
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  • proggyproggy Frets: 5835
    Voxman said:
    proggy said:

    Funny you should say that. I get the same feeling when I play my OM size acoustic because of the huge jumbo frets on it. The strings just seem to be to far away from the board, and I can't really get used to it.

    Could I get them filed down do you think?

    Definitely - but you'll likely want to lower the action too which will need the bridge to be lowered and the guitar set-up correctly.  It may even be that with a proper set-up and lowering of the action, you may not even need to have the frets filed down.    

    Thanks for that info.
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  • KKJaleKKJale Frets: 993
    edited December 2016
    Lewy said:
    Im not asking this to criticise the guy in the vid, but to see if there's something going on with my ear....is he out of tune quite a bit in that video? Because he sounds it quite a bit to me and I'm wondering if it's because I've exclusively used sweetened tuning a for the last couple of years....???
    The first example's flat as hell. I had a listen yesterday and couldn't stand it after about 40 seconds.
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  • RaveRave Frets: 268
    Shame he can't tune his guitar.
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  • LewyLewy Frets: 4498
    Ah good. I'm not going ear mental.
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  • Haha you're the apitomy of why guitarists get a bad name,  can't stand other people more talented so have to put them down. 
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  • mixolydmixolyd Frets: 826
    edited December 2016
    Voxman said:
    mixolyd said:
    He got a bunch of notes wrong in that stairway solo and plays it without any of the physical tension it needs. 4/10.
    Well, it sounded pretty darned good to me!  If you can play that better mixolyd I'd love to hear you mate - honestly! 
    I'm lucky if I can play at all with the state of my health these days but back when I combed the streets for cash I did a decent Stairway - better than his by a clear margin.  Nothing to go crazy about - I was always relatively limited technically but that's an easy solo so is at my upper limit.

    If you think that solo was good then you haven't got a very good memory of the original or a great ear tbh.  The note choice is poor to awful in several places - Pagey chose certain notes with good reason.  I'm all for changing things deliberately - as Page did all the time - but this reeks of someone either learning a solo as a beginner then later getting technically good enough to record it without ever realising that he's got it wrong, either that or just a rubbish ear.  
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  • mixolydmixolyd Frets: 826
    edited December 2016
    Great physical ability and gentleness on the strings but please: PHRASING!
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  • Can we all at least agree that polo shirt, sunglasses indoors and widdly guitar soloing isn't a good look? 
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  • BlueingreenBlueingreen Frets: 2714
    edited December 2016
    Yeah I'm reluctant to criticize this guy because he's a pretty good player, can certainly do stuff physically that I couldn't and he's 95-99% of the way there on most of what he plays, even on some technically difficult stuff.  But I was led to expect versatility, nuance and inflexion and I'm not hearing it.

    Versatility - everything is pretty much from the classic rock solo handbook.  Nothing wrong with that if that's your bag, but it isn't exactly a demonstration of versatility.

    Nuance and inflection: I'm hearing some pretty ropey time and some out of tune bends.  That would be ungracious nit-picking on my part if he were a week-end warrior in a pub band, but the claim being made is that he's an exemplar of nuance and inflection. 

    If he were a pro on a session with a good producer he'd be being told to do a lot of this stuff again, and in some cases told he needed to put in some more practice time before he attempted it.

    For avoidance of doubt I'm not claiming I could do better, just describing what I hear.

    “To a man with a hammer every problem looks like a nail.”
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  • RaveRave Frets: 268
    Haha you're the apitomy of why guitarists get a bad name,  can't stand other people more talented so have to put them down. 

    He's the EPITOME of why guitarists get a bad name. The inability to recognise when you're not in tune. It's about making audible music, not parrot fashion fretboard gymnastics.


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