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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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A few recent changes - added a BAT LSTR clone in the fuzz spot, added the Bogner Wessex and put my Cornish buffer clone back on as I was definitely losing a bit of high end going through 18 pedals and the associated patch leads
http://imgur.com/gallery/fMrtdF1
As a big fan of the Smallsound/Bigsound Mini, how do the Barbershop and the F**K compare to it?
The F*ck has (I believe) the same gain structure as the mini. It has a powerful high cut knob which is simple but a good enough eq for what it is. The 'Boom' switch is what sets it apart, it's a really fun momentary feature that adds this crackly modulation to your signal, I set it light with a moderate threshold as it can easily become too much.
I don't think I can say anything that hasn't been said about the Barbershop, but comparing directly to the Mini, there's much less maximum gain and it's the most natural sounding of the 3 in my opinion. The sag knob is comparable to the Mini's bias knob but more subtle.