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Comments
*An Official Foo-Approved guitarist since Sept 2023.
Wisdom. It's a sticking plaster for some other issue that should be looked at.
*An Official Foo-Approved guitarist since Sept 2023.
Ah, true. I was thinking more about other noises and hiss that people mask.
*An Official Foo-Approved guitarist since Sept 2023.
Not everybody has unlimited funds.
And nope, I don't. Not a hint.
The answers are Pete Cornish buffers, great cables, great power supplies.
And feedback is a completely different thing to hiss and buzz. Totally different
*An Official Foo-Approved guitarist since Sept 2023.
But I agree - if you're not using the gate as a useful effect, you have a problem. I don't need one and use enough gain to get well into hard rock, classic metal and djent, but for djenty riffing and tapped riffs a gate is genuinely really a useful thing - and not just for noise.
They do have a use. If you're using a 5150 and want to play modern metal, you need one and it's definitely not to reduce noise. Even the pick attack sounds different.
You often use both a compressor and an overdrive when playing djent, too, so the fact it does reduce noise is handy anyway. It also reduces feedback, which is something you don't want at all when playing a 15/8 stop start riff.
It's a really fat, high gain sound that has a compressor on for the attack of the note, then a gate so you can mute silent between each note.
I like it - periphery are a great band, but I wouldn't obsess over the tone. I am more impressed by the imaginative riffs, but part of playing them is a gated tone.