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Comments
I think a large part of the issue is that Kemper have never clarified how they envisage the editing and management of performances to work in Rig Manager 3 - so everyone is potentially using it in a way they didn't account for.
Good work, Kemper!
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
that being said if the helix can’t come close then I’ll have to put up with it
However, the interface and the editor are so much more usable.
I know RM3 is a beta, but I found it astonishing Kemper are seemingly not testing these releases. There's now lots of reports of it deleting people's rigs.
I find myself using the same favourite rigs all the time anyway. Once I've got it set up, the ability to edit performances from my PC won't matter anyway.
Kemper haven't handled the beta releases well, but they are beta releases. I've never put a beta on mine. I wait for the stable release.
i find the Kemper restrictive in a number of ways. Firstly I’m very picky about my cab/mic sound and in an ideal world I’d use the same IR for everything but a lot of the profiles I like the feel of are studio profiles and switching the cab out on those doesn’t always work (probably why I only use one sound). I also find the remote layout pretty naff and always press the wrong button. I only use my Kemper live and I feel like it’s a better studio tool than it is a live tool. Obviously profiles are taken at certain gain stages and EQs so finding one that is exact is difficult and I don’t feel the EQ responds in an amp like way (not to say that the helix does, I guess I’ll find that out). I also got it so I could get ‘exact tones’ as I was a bit naive... I got the Top Jimi Caswell AFD amp and had fun for a few days jamming Appetite For Destruction but quickly realised I only wanted my tone, which isn’t that. I got a load of profiles meant to sound like certain artists and use none of them. I don’t even use a separate profile for clean, I just roll back. I use it exactly as I would a single channel amp, only I like the fact I can actually get sag and saturation at any volume and I’m sold on digital in that respect.
if they made a small pedal capable of holding one profile as an amp pedal then I’d get it, I use the rest of it that little, so with that in mind I just want to see if I can cash in on all of the features I’ve paid for that I don’t use... I suspect I’ve been spoilt and the helix won’t come close enough, but that’s why I bought used and will try and sell for what I paid for it if I don’t like it.
The software is just an indicator of company priorities and I don’t really want so much money tied up in a clueless company with such little regard for their customers either... but if it comes out on top tone wise I’ll just have to dance with the devil a little longer.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
You are absolutely right about it being stupid to get rid just because of software though, I agree with that, but it is more multi-faceted than that which I didn't initially allude to. But if I were mainly home recording like yourself I would keep the Kemper for sure, it is an exceptional piece of kit. But most of the guitarists I share the bill with have Spiders... I feel like I'm bringing the death star to a thumb war!