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I've been doing some recording recently and finding all the profiles I play through most of the time do sound a bit dark. I'm realising that you do need a good amount of top end to cut through a mix.
FFS!
I’ve noticed some of the vendors that sell profiles offer Fractal profiles.
I think it would be interesting to profile my old Helix preset.
Great vids on YouTube though (and still nowhere near as self-righteous as Chad Boston with his Helix and Fractal stuff).
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Cheers,
Darren
Going back to the profiles, as @FarleyUK says the Top Jimi stuff is next level. I think for me I enjoyed them as they perhaps felt the most ‘amp in the room’? I don’t know what mics he uses but all of his profiles for me felt great to play and sounded good through a Laney LFR-112. I’ve since ditched the Kemper but I’ll miss the Caswell AFD pack and the AFD100 #34 High profiles. His Friedman BE-100 profile was hard to beat too... gunna miss those profiles!
I did try it with a cheap Behringer DI and this is much better.
I still think £80 for a passive DI box is a bit rich but there’s no denying it works as it should and gives you easy accurate results and you can’t ask more than that.
Mainly been playing the high gain ones 5150/Mesa Dual Rec etc but found some great clean amps today, one is based off a Fender Deluxe I think and I have a nice crunch amp (Matchbox I think). Have even used the performance mode to create some "banks" or performances with 3-4 different rigs. So cool being able to switch amp sound on the fly.
Still a lot to explore and figure out in terms of monitors and direct outputs (using it with a 1x12 cabinet) but I'm loving it so far. I don't think I'm going to ever play a tube amp again!
Now to find a good hardcase to transport it around...
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922