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It just looks like fretboard oil in snake oil packaging, darkens when you first apply it ,wake up the next morning same as before maybe 5% darker tops.
Look back on this thread to the Feibings black leather dye and tru oil to seal method..... job done.
I sometimes use the colourless one on rosewood fretboards after cleaning, it buffs up to a nice shine.
It didn't work as an eboniser, exactly, but my Strat fingerboard has gone from an orangey rosewood to a dark brown that I think is pretty attractive. Before I had the treatment, I was looking at my Tokai and wishing the Strat could be as dark. Now I look at the Tokai and wonder whether I should get that darkened too as it looks a touch pale beside the Strat!
P.S Monty's instrument food (not this ageing wax) smells lovely!
Gives wood a lovely carbonised appearance.
@MikeS was good enough to send me his pot, and I finally sat down and got at it yesterday. Read the instructions on the website carefully, cleaned the board with lighter fluid (naphtha) and then got to rubbing the thick waxy stuff on. Left each coat 2-3 hours before buffing off, then re-applying.
The pictures below show a before and after for my Electric XII neck, from a somewhat anaemic looking bit of Pau Ferro to, well, see for yourselves. This is after its 4th coat of Monty's that I've just applied, and I am really rather pleased with the results. I think I'll give it at least another 2 today.