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A custom build is just that imo, I had the guy come in while I tweaked it, was just a bit to come off the shoulders, then he left and I finished it and gave it back.
(formerly customkits)
Makes me want to pay for craftsmanship.
Red meat and functional mushrooms.
Persistent and inconsistent guitar player.
A lefty, hence a fog of permanent frustration
Not enough guitars, pedals, and cricket bats.
USA Deluxe Strat - Martyn Booth Special - Epi LP Custom
FX Plex - Cornell Romany
(formerly customkits)
Very out of tune isn’t it.
And blunt.
I have to respond to this.
"If I'm judged on this one cock-up rather than the 50 or so guitars that are out in the world then fair play"
One cock-up.
1. There's my guitar. The admin of this website has seen the photos and is suitably horrified.
2. There's Ivan G's guitar. That was from the same batch. Same problems as mine. He paid for a local luthier to make it playable but in the end he gave up, scrapped the woodwork and kept the hardware.
3. There's the guitar Jim Croisdale has worked on and started this thread.
4. There's the winner of a competition Elson organised in April 2020, Tom K. Guitar has just been delivered after 13 months. In Tom's words: "Look at the neck joint - 2mm gap. His response was it didn't ship like that... 'Never had a guitar that's shifted like that in transit ever. Try screwing it in tighter,' when the screw is stripped and isn't budging anywhere. Action's high and there's no way of lowering any more. Sharp frets. Nut poorly fitted and glued. Oh and the varnish sanded off the neck too."
That's four so far, all with similar appalling luthiery.
Even the guy who wires up the guitars warned Elson that there were problems with mine. He's incompetent - and then he lies and lies and lies...
@IanElsonGuitar - please feel free to respond. I have documented and photographic evidence of every claim I've made.
I don't like digital products.
*An Official Foo-Approved guitarist since Sept 2023.
I assume it's the Bradcaster you are referring to so its also good PR. That's a stunning looking and sounding guitar BTW.
Building guitars well is pretty hard, especially without training.
I would never have been able to output anything as good as I have without that training.
Even with training it is pretty laborious and you need to have the right mindset to do it well, be happy with repetitive tasks.
The most important skill though is attention to detail.
I have ADHD which means I can hyper focus on things I am really motivated to do and get bored easily by things I am not motivated to do.
Fortunately for me, at that time, guitar building was something I was hugely motivated to do so I stayed on point.
In my 3 year degree we covered a lot of territory- manual/practical stuff like sharpening, how to use the tools safely and what tools to use for what job.
Just keeping blades sharp is like 25% of the work, if you are building by hand.
Then we built one guitar a year- the first year was a simple travel guitar (because half the year was spent learning how to sharpen).
Second year I made a parlour guitar.
Third year I made a 000 and wrote a dissertation.
Then there is the more advanced stuff which really only applies to acoustic guitars- about the acoustical properties of materials, how to alter stiffness with different approaches to thicknessing and bracing alteration, Young's modulus of materials and such.
As much as you try to distill it down a science there is still an art to it too.
My 000 was the best realised on a technical level but even still it isn't perfect.
Learning to cover your tracks, hide the rough bits is a big part of hand-making anything.
With guitars there isn't just the structural and aesthetic elements of the build- it also needs to be playable and have good tone.
I liken it to the difference between driving a car and flying a plane- the third axis is a real bugger and makes things more complex.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com