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Visually beautiful. Plotwise it's just a hash of Aliens and Dances with Wolves plus a million other 'good vs evil' tropes. Still, I've never got aroused by an animated blue woman before. Neytiri is a babe.
Offset "(Emp) - a little heavy on the hyperbole."
https://thejrexpress.files.wordpress.com/2011/02/avatar_cam1.jpg?w=770
Back on limited cinema release for its 50th anniversary. I've seen it several times on a big screen but I'm not sure I've seen this particular cut before.
It's so weird from beginning to end, and yet it somehow seems completely believable. Perhaps because there are no monsters, no gore effects, no studio sets, no villains even... it really hasn't aged at all. And it still has one of the most extraordinary final scenes in cinema history. Bollocks to CGI...
I don't really go in for marks out of 10, but this is definitely a 10. Still my favourite film, ever.
On the face of it I shouldn't have really liked this film. A somewhat cliched plot about cockroaches with some unpleasant nesting habits which overrun a Maine island.
However: what set this apart is the direction, the character development and the acting. Thomas Calabro, Dean Stockwell, John Savage, and Kristen Dalton (phwooooar) all put in good turns, the plot is pacey, the effects are good and overall I thoroughly enjoyed it. Not a bad way to spend a spare 90 minutes.
6.5/10
I didn’t know about the US ending, what did they do to it?
Offset "(Emp) - a little heavy on the hyperbole."
Absolute shite. It was like a sweary cop movie simplified for five year olds.
Offset "(Emp) - a little heavy on the hyperbole."
Offset "(Emp) - a little heavy on the hyperbole."
Boring. Not even worthy of a score.
I’ve also just watched, for the first time …
Rolling Thunder Revue
Martin Scorsese’s take on Bob Dylan’s 1975 tour of the same name. It’s surreal, disjointed and confusing, but fascinating. I had never really realised what a mesmerising performer Dylan was in his prime - I’ve never seen him live, although I have probably half his entire recorded output… always put off by reports of being either brilliant or terrible.
If you’re even vaguely interested in Dylan you should see it. It leaves a lot out, but I think gets to the heart of why he is a genius.
9/10
(Netflix)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I decided I had to watch this today after some discussion in a couple of other threads. Fortunately it wasn't too difficult to find my Blu-ray copy! Rather like The Wicker Man which I watched yesterday, this was cut by a good ten minutes prior to release, and we're lucky the original version survives.
The film holds up very well. Dana Andrews plays a typically brash, self-assured American abroad and I'm not sure if we're meant to find him irritating or not, but this makes it all the more effective when he begins to believe in the curse which has been laid on him.
@darthed1981 you're right, showing the demon at the start of the film was a mistake, but the scene when it reappears is amazing. I know the general rule is that nothing you see on screen can be effective as what you imagine, but there are odd exceptions!
(Oh, and I hadn't realised Foggy from Last of the Summer Wine was in it! Rather a different role though.)
It's still a bit too long and tries to do a little bit too much. But it's still brilliant.
The proper version has him simply leaving the prison. He got away with it.
The US version shows some hands finding the memoirs in the cell and a scene in his carriage as he leaves the prison grounds when he suddenly remembers he left them in the cell.
The US version was added on to appease the US morality police to suggest that he didn't get away with anything in the end.
I’m so bored I might as well be listening to Pink Floyd
While of course I don't condone murder.... I did like that he got away with it.
I’m so bored I might as well be listening to Pink Floyd
Very disjointed, but I did enjoy quite a lot of it. Definitely not Best Picture worthy, even though it wasn't exactly a vintage year.